TNH's Particles
* My old subway station gets an amazing facelift.
* Redharpy's best-laid plans.
* Tucson Gem and Mineral World.
* Things I won't work with.
* Dave Zinn & Sluggo.
* Movie execs are really sh*tting the bed.
* The epic inefficiency of secret police.
* Greeting cards for serious illness.
* Super Boubous!
* African fashion: the street finds its own uses.
PNH's Sidelights
* The original "New England", in the Crimea
* From 2012: "A Self-Made Man Looks at How He Made It"
* Are we living in an era of transformative technological change? Maybe not.
* This happened
* Maybe The Wire wasn't as smart as we thought it was
* American liberalism in a nutshell.
* Chipotle's stand against GMOs ignores one of the world's greatest GMOs: corn
* In the New Yorker, a beautiful and economical appreciation of Gene Wolfe
*, destroyer of family memories
* Thank you, SF&F's many volunteers. PS: Please don't attack them.
Abi's Parhelia
* A review of Kahlil Gibran's Collected Works
* 5 Mètres 80
* Nielsen Hayden Facts
* Searching for the wine from the last supper
* The curious case of the disappearing Polish S
* Snoppen och snippan (YouTube video, probably NSFW)
* Ship your enemies glitter
* An examination and taxonomy of Organized Pseudolegal Commercial Argument litigants
* Bruegel's Dutch Proverbs, Annotated
* Salt Potatoes
Jim's Diffraction
* Angelus ad virginem 14th century Irish carol
* Christmas on the Theremin
* Kinect eye patch for Xbox One will protect what's left of your privacy
* Real-Time Wind Map
* IS-907: Active Shooter: What You Can Do
* Smithsonian museum artifacts can now be 3D printed at home
* PunditFact
* A Display You Can Reach Through And Touch
* The Craigslist killers: the full story
* Proposed Museum of Science Fiction
Avram's Phosphenes
Definitely-Not-Filthy Sailing Terminology
Paul Ford on The Dress
The End of Libertarians (via)
I won’t fear Muslims
Higgledy piggledy / Benedict Cumberbatch…
Six hit country songs separated at birth
Halfway There: A Few Words on the 2010s
The War on Jewish Christmas must be stopped
Yellowstone Park’s “Zone of Death”
The Triumphant Rise of the Shitpic
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“We are prophets of a future not our own.” (Oscar Romero)

“Peace means something different from ‘not fighting’. Those aren’t peace advocates, they’re ‘stop fighting’ advocates. Peace is an active and complex thing and sometimes fighting is part of what it takes to get it.” (Jo Walton)

“You really think that safety can be plucked from the arms of an evil deed?” (Darla, “Inside Out”)

“Forgiveness requires giving up on the possibility of a better past.” (unknown)

“The whole point of society is to be less unforgiving than nature.” (Arthur D. Hlavaty)

“You don't owe the internet your time. The internet does not know this, and will never learn.” (Quinn Norton)

“Great writing is the world's cheapest special effect.” (Teresa Nielsen Hayden)

“Everyone gets so much information all day long that they lose their common sense.” (Gertrude Stein)

“Very few people are stupid. It’s just that the world really is that difficult and you can’t continually be careful.” (Quinn Norton)

“Armageddon is not around the corner. This is only what the people of violence want us to believe. The complexity and diversity of the world is the hope for the future.” (Michael Palin)

“Just because you’re on their side doesn’t mean they’re on your side.” (Teresa Nielsen Hayden)

“The fact that ‘there are only a handful of bad cops’ cuts no ice with me. If ‘only a handful of McDonald’s are spitting in your food,’ you’re not going to McDonald’s.” (Ta-Nehisi Coates)

“Young men and women, educated very carefully to be apolitical, to be technicians who thought they disliked politics, making them putty in the hands of their rulers, like always.” (Kim Stanley Robinson, Red Mars)

“The poor have been rebels, but they have never been anarchists; they have more interest than anyone else in there being some decent government. The poor man really has a stake in the country. The rich man hasn’t; he can go away to New Guinea in a yacht. The poor have sometimes objected to being governed badly; the rich have always objected to being governed at all. Aristocrats were always anarchists.” (G. K. Chesterton, The Man Who Was Thursday)

“When liberty is mentioned, we must observe whether it is not really the assertion of private interests.” (Hegel)

“History is the trade secret of science fiction.” (Ken MacLeod)

“But isn’t all of human history simultaneously a disaster novel and a celebrity gossip column?” (Anonymous LJ commenter)

“I see now that keen interest can illuminate anything, and that anything, moreover, has something worth illuminating in it, and that without that interest gates carved by Benvenuto Cellini from two diamonds would merely look chilly.” (Lord Dunsany)

“I grieve for the spirit of Work, killed by her evil child, Workflow.” (Paul Ford)

“The opposite of ‘serious’ isn't ‘funny.’ The opposite of both ‘serious’ and ‘funny’ is ‘squalid.’” (R. A. Lafferty)

“Ki is, of course, mystical bullshit. That’s why it works so well, both as a teaching idiom and a tool of practice in martial arts. It’s as nonexistent as charm, leadership, or acting. Humans are all about bullshit.” (Andrew Plotkin)

“We act as though comfort and luxury were the chief requirements of life, when all that we need to make us happy is something to be enthusiastic about.” (Charles Kingsley)

“Nobody panics when things go according to plan. Even when the plan is horrifying.” (The Joker)

“Hope has two daughters, anger and courage. They are both lovely.” (attributed to St. Augustine)

“Plot is a literary convention. Story is a force of nature.” (Teresa Nielsen Hayden)

“This movie has way too much plot getting in the way of the story.” (Joe Bob Briggs)

“If there is no willingness to use force to defend civil society, it’s civil society that goes away, not force.” (Teresa Nielsen Hayden)

“Always side with the truth. It’s much bigger than you are.” (Teresa Nielsen Hayden)

“Listen, here’s the thing about politics: It’s not an expression of your moral purity and your ethics and your probity and your fond dreams of some utopian future. Progressive people constantly fail to get this.” (Tony Kushner)

“I don’t want politicians who are ‘above politics,’ any more then I want a plumber who’s ‘above toilets.’” (Ta-Nehisi Coates)

“Plans are nothing; planning is everything.” (Dwight D. Eisenhower)

“People never lie so much as after a hunt, during a war, or before an election.” (Otto von Bismarck)

“Every organization appears to be headed by secret agents of its opponents.” (Robert Conquest)

“Not forgiving is like drinking rat poison and then waiting for the rat to die.” (Anne Lamott)

“Nothing makes one so vain as being told that one is a sinner.” (Oscar Wilde)

“Life isn’t divided into genres. It’s a horrifying, romantic, tragic, comical science-fiction cowboy detective novel.” (Alan Moore)

“See everything, overlook a great deal, improve a little.” (John XXIII)

“You will never love art well, until you love what she mirrors better.” (John Ruskin)

“They lied to you. The Devil is not the Prince of Matter; the Devil is the arrogance of the spirit, faith without smile, truth that is never seized by doubt. The Devil is grim because he knows where he is going, and, in moving, he always returns whence he came.” (Umberto Eco, The Name of the Rose)

“I can hire one half of the working class to kill the other half.” (Jay Gould)

“I’m a leftist. I don't argue with anyone unless they agree with me.” (Steven Brust)

“Adam was but human—this explains it all. He did not want the apple for the apple’s sake, he wanted it only because it was forbidden. The mistake was in not forbidding the serpent; then he would have eaten the serpent.” (Mark Twain)

“Details are all that matters; God dwells there, and you never get to see Him if you don’t struggle to get them right.” (Stephen Jay Gould)

“Tradition is not the worship of ashes, but the preservation of fire.” (Gustav Mahler)

“But this kind of deference, this attentive listening to every remark of his, required the words he uttered to be worthy of the attention they excited—a wearing state of affairs for a man accustomed to ordinary human conversation, with its perpetual interruption, contradiction, and plain disregard. Here everything he said was right; and presently his spirits began to sink under the burden.” (Patrick O’Brian, Master and Commander)

“Hatred is a banquet until you recognize you are the main course.” (Herbert Benson)

“For a Westerner to trash Western culture is like criticizing our nitrogen/oxygen atmosphere on the grounds that it sometimes gets windy, and besides, Jupiter’s is much prettier. You may not realize its advantages until you’re trying to breathe liquid methane.” (Neal Stephenson)

“‘There are no atheists in foxholes’ isn’t an argument against atheism, it’s an argument against foxholes.” (James Morrow)

“And after the fire a still small voice.” (1 Kings 19:12)

“The man who tries to make the flag an object of a single party is a greater traitor to that flag than any man who fires at it.” (Lloyd George)

“The United States behaves like a salesman with a fantastic product who tries to force people to buy it at gunpoint.” (Emma of Late Night Thoughts)

“I’m a fuzzy-headed warm-hearted liberal, and I think fuzzy-headed warm-hearted liberalism is an ideological stance that needs defending—if necessary, with a hob-nailed boot-kick to the bollocks of budding totalitarianism.” (Charles Stross)

“The real test of any claim about freedom, I’ve decided, is how far you’re willing to go in letting people be wrong about it.” (Bruce Baugh)

“As with bad breath, ideology is always what the other person has.” (Terry Eagleton)

“Only he who in the face of all this can say ‘In spite of all!’ has the calling for politics.” (Max Weber)

“No, it’s not fair. You’re in the wrong universe for fair.” (John Scalzi)

“I don’t understand death, but I got hot dish down pretty good.” (Marissa Lingen)

“Skepticism is the worst form of gullibility.” (John “adamsj” Adams)

“We have a backstage view of ourselves and a third-row view of everybody else.” (Garrison Keillor)

“The Reign of Sin is more universal, the influence of unconscious error is less, than historians tell us.” (Lord Acton)

“All human progress, even in morals, has been the work of men who have doubted the current moral values, not of men who have whooped them up and tried to enforce them.” (H. L. Mencken)

“Tomorrow never happens. It’s all the same fucking day, man.” (Janis Joplin)

“Words are always getting conventionalized to some secondary meaning. It is one of the works of poetry to take the truants in custody and bring them back to their right senses.” (W. B. Yeats)

“It is a little embarrassing that, after 45 years of research and study, the best advice I can give to people is to be a little kinder to each other.” (Aldous Huxley)

“Never believe in a meritocracy in which no one is funny-looking.” (Teresa Nielsen Hayden)

“Probably no man has ever troubled to imagine how strange his life would appear to himself if it were unrelentingly assessed in terms of his maleness; if everything he wore, said, or did had to be justified by reference to female approval [...] If he gave an interview to a reporter, or performed any unusual exploit, he would find it recorded in such terms as these: ‘Professor Bract, although a distinguished botanist, is not in any way an unmanly man. He has, in fact, a wife and seven children. Tall and burly, the hands with which he handles his delicate specimens are as gnarled and powerful as those of a Canadian lumberjack, and when I swilled beer with him in his laboratory, he bawled his conclusions at me in a strong, gruff voice that implemented the promise of his swaggering moustache.’” (Dorothy L. Sayers)

“Grown ups are what’s left when skool is finished.” (Nigel Molesworth)

“If you don't like the ‘blame game,’ it’s usually because you’re to blame.” (Jon Stewart)

“Slang is for a war of signals.” (Unknown semiotician/palindromist)

“Science fiction is an argument with the world. When it becomes (solely) an argument within science fiction, it breathes recycled air.” (Ken MacLeod)

“All worthy work is open to interpretation the author didn’t intend. Art isn’t your pet—it’s your kid. It grows up and talks back.” (Joss Whedon)

“I really don’t know what you do about the ‘taxes is theft’ crowd, except possibly enter a gambling pool regarding just how long after their no-tax utopia comes true that their generally white, generally entitled, generally soft and pudgy asses are turned into thin strips of Objectivist Jerky by the sort of pitiless sociopath who is actually prepped and ready to live in the world that logically follows these people’s fondest desires.” (John Scalzi)

“So whenever a libertarian says that capitalism is at odds with the state, laugh at him. It’s like saying that the NFL is ‘at war’ with football fields. To be a libertarian is to say that God or the universe marked up that field, squirted out the pigskins from the bowels of the earth, and handed down the playbooks from Mt. Sinai.” (Connor Kilpatrick)

“True religion invites us to become better people. False religion tells us that this has already occurred.” (Abdal-Hakim Murad)

“There is a machine. Its program is ‘profit’. This is not a myth.” (Joss Whedon)

“There's always romance at the top of a system.” (Will Shetterly)

“Power always thinks it has a great soul and vast views, beyond the comprehension of the weak.” (John “Second US President” Adams)

“There is a document that records God’s endless, dispiriting struggle with organized religion, known as the Bible.” (Terry Eagleton)

“There comes a time when the operation of the machine becomes so odious, makes you so sick at heart, that you can’t take part, you can’t even passively take part; and you’ve got to put your bodies upon the gears and upon the wheels, upon all the apparatus, and you’ve got to make it stop, And you’ve got to indicate to the people who run it, the people who own it, that unless you’re free the machine will be prevented from working at all.” (Mario Savio)

“Racism is not merely a simplistic hatred. It is, more often, broad sympathy toward some and broader skepticism toward others.” (Ta-Nehisi Coates)

“To live is to war against the trolls.” (Henrik Ibsen)

“There is at the back of all our lives an abyss of light, more blinding and unfathomable than any abyss of darkness; and it is the abyss of actuality, of existence, of the fact that things truly are, and that we are ourselves incredibly and sometimes almost incredulously real.” (G. K. Chesterton)

“Perhaps all the dragons in our lives are princesses who are only waiting to see us act, just once, with beauty and courage. Perhaps everything that frightens us is, in its deepest essence, something helpless that wants our love.” (Rainer Maria Rilke)

“It’s just a ride and we can change it any time we want. It’s only a choice. No effort, no work, no job, no savings and money, a choice right now, between fear and love. The eyes of fear want you to put bigger locks on your door, buy guns, close yourself off. The eyes of love instead see all of us as one.” (Bill Hicks)

“I don’t think we have a language, will ever have a language, that can describe transcendence in any useful way and I am aware that that transcendence may be nothing more than the illusory aspiration of a decaying piece of meat on a random rock. The thing is to be humble enough to be content with that while acting to other people as generously as if better things were true, and making art as if it might survive and do good in the world. Because what else are we going to do with the few short years of our life?” (Roz Kaveney)

“No matter. Try again. Fail again. Fail better.” (Samuel Beckett)

“Fuck every cause that ends in murder and children crying.” (Iain Banks)

“If it doesn’t connect with people around you who aren’t like you, it isn’t politics.” (Teresa Nielsen Hayden)

May 26, 2015
E Pluribus Hugo: Out of Many, A Hugo
Posted by Abi Sutherland at 02:11 PM * 193 comments

In this thread we will hammer out the formal language of the proposal, any FAQs we wish to include, and strategize for the presentation at the business meeting itself. At this point, we’ll consider the system itself locked in, so we are really only looking at the language.

Click here for proposed language

May 20, 2015
Reading for Rockets
Posted by Abi Sutherland at 03:18 PM * 259 comments

Sasquan tells me that the Hugo packet can be downloaded (pin lookup here.) So if you haven’t gone looking for it before, here’s what you need to make your judgments.

A couple of useful links:

Unsurprisingly, my own personal view is that everyone should vote according to their own personal views rather than, say, mine. I’m sure we all know not to take anyone’s views in this discussion as any kind of marching orders, but I thought I’d say it for the charity- or clarity-impaired.

Note that this thread will probably abound with spoilers. I’m not going to try to slice things up into different subthreads with layered spoiler policies. If you’re spoiler-averse, you might want to wait till you’ve read everything before jumping in.

* Obviously, there may be even more different approaches than Scalzi lists. Feel free to mention yours!

May 19, 2015
Mad Max: SPOILER Road
Posted by Abi Sutherland at 02:42 PM * 68 comments

This is the thread where the comments do their own stunts instead of relying on ROT-13. They’re badass and full of spoilers. You’ve been warned.

May 15, 2015
Shining, shimmering, splendid
Posted by Avram Grumer at 06:52 PM * 5 comments

If you like science fiction and comics, you should be aware that C Spike Trotman — creator of the webcomic Templar, Arizona, and editor/publisher of a number of successful comics anthologies, has just today announced the Kickstarter campaign for her latest: New World: A Sci-Fi/Fantasy Anthology, with 25 stories about culture clashes. As of this writing, the campaign’s been live for about five hours, and is already halfway funded.

Contributors include Carla Speed McNeil (writer/artist of Finder, long-running science fiction comic whose absence from Best Graphic Story Hugo ballots is baffling to me), Blue Delliquanti (writer/artist of O Human Star), Evan Dahm (writer/artist of Rice Boy), and holy crap she got something from Matt Howarth! And a couple of dozen other creators; there’s a list on the Kickstarter page. You can get a feel for the sorts of things that will (and won’t) be in the anthology by reading Spike’s pitch document for prospective creators.

If you hurry, you might be able to get in on the “Science Fiction Double Feature” reward level, which gets you both a copy of New World and one of The Sleep of Reason, her horror anthology from last year. It’s already too late for the “Early-Bird Special” reward which gets you the book with free shipping; those 50 reward slots went within the first ten minutes.

Open thread 205
Posted by Abi Sutherland at 06:56 AM * 460 comments

So we were watching “The Princess Bride” last night.

It falls down in a few places: when Westley threatens to hit Buttercup “because where I come from there are penalties when a woman lies”, the depiction of an albino character, the degree to which disfigurement is treated as worse than death. (That last could be merely because Humperdink is so vain, but I’d be more comfortable if that were better spelled out.)

But what struck me more than anything else was the Machine, the Life-Sucker.

Last weekend, we went to the windmill park near our house. My parents are visiting, and my father is a letterpress printer in his spare time*. As it happens, there is a linseed-processing windmill near us that was used to power a printing press just after World War 2, and the local letterpress enthusiasts had recreated the whole assemblage for the 70th anniversary of the liberation. Naturally, we had to visit.

Dutch windmills are impressive† pieces of heavy equipment. We live near what is sometimes described as the first industrialized area of the world, where the wind was harnessed to supply the massive power needed to saw wood, make paper, grind linseed oil, and process chocolate on a grand scale. Visiting the mills now, one is still overwhelmed by the force they produce, despite the variability of the power source and the relative inefficiency of the wooden mechanisms.

The Life-Sucker is a water mill, but there’s a lot of the same feel to it. And it makes me think that we’ve missed out on a potential genre, in our desire to play with the shiny brass of Victorian technoliogy. Where are the stories about the creaking, grinding power of wind and water mills, the impersonal forces of nature incompletely harnessed by early technologists working in the flameless dark? Why is there no love for them?

I think I want to read some millpunk.

* It’s ironic, but my bookbinding does not come from his printing. Apart from a certain passion for craftsmanship, that is.
† Thanks to Joris Meijer for supplying the link when I mused on this a little on Twitter.

Dysfunctional Families: Boundaries
Posted by Abi Sutherland at 04:59 AM * 126 comments

A lot of the conversations we’ve been having in recent Dysfunctional Families threads have been around a closely-linked set of very important concepts: boundaries, consent, and bodily autonomy.

(More behind the cut)

May 12, 2015
Discussing Specific Changes to the Hugo Nomination Election: A Post Not By Bruce Schneier
Posted by Abi Sutherland at 02:36 AM

After a couple thousand posts, here’s the current proposal, summarized in this comment by Keith “Kilo” Watt.

(See details)

May 11, 2015
Hugo IV: A New Hope
Posted by Abi Sutherland at 03:03 AM * 699 comments

Moving the Hugo conversation here, if it wants to continue, because the previous Hugo thread has drifted and I’m minded to let it continue that drift uninterrupted.

May 08, 2015
The Three-SPOILER Problem
Posted by Abi Sutherland at 07:02 AM * 118 comments

You put on your V-suit and log in.

You stand on a desolate plain. Before you rises a great pyramid, standing like a tall mountain in the first glimmers of dawn. At its base there is a small door, standing open, and the light from the space beyond spills onto the sandy ground. The light dims as a stranger comes to stand in the doorway, then brightens as he passes through.

He approaches you, and says…what?

At least here in the game you don’t have to ROT-13 your spoilers.

ETA Extra credit points to Steve Wright @81 with “I am the very model of a modern Trisolarian”!

May 02, 2015
Avengers: The War of Orange vs Teal
Posted by Avram Grumer at 11:29 PM * 179 comments

Here’s a new thread for talking about the new Avengers movie with spoilers and without ROT13 so people can read it on their tablets.

April 28, 2015
Posted by Patrick at 08:00 AM * 235 comments

Ta-Nehisi Coates, last night:

When nonviolence is preached as an attempt to evade the repercussions of political brutality, it betrays itself. When nonviolence begins halfway through the war with the aggressor calling time out, it exposes itself as a ruse. When nonviolence is preached by the representatives of the state, while the state doles out heaps of violence to its citizens, it reveals itself to be a con. And none of this can mean that rioting or violence is “correct” or “wise,” any more than a forest fire can be “correct” or “wise.” Wisdom isn’t the point tonight. Disrespect is. In this case, disrespect for the hollow law and failed order that so regularly disrespects the rioters themselves.
As Terry Karney observed on Twitter, the amazing thing isn’t that Baltimore has a riot right now, it’s that other American cities aren’t rioting as well.

Hugos III: The Search For Rock…ets
Posted by Abi Sutherland at 07:51 AM * 869 comments

The previous thread is getting pretty full, and the conversation seems to want to continue. So let’s just slide it over here. And we remember as we do so to continue to discuss the matter in the fashion that makes us proudest of Making Light, no matter how people are doing it elsewhere. Right? Right.

(NB: I’m only a little sorry for the title.)

Posted by Teresa at 07:21 AM * 149 comments

salt 3.JPG

This started when I got a splinter stuck under my thumbnail, and had to soak it in hot salt water. I used a palmful of coarse sea salt and one of my favorite mugs, a heavy stoneware dreadnaught I’d gotten on Martha’s Vineyard. When I was done, I set the mug on our sideboard and forgot about it for a week.

The result was startling. Salt water had seeped through cracks in the glaze and into the clay body of the mug. As it dried, the salt was extruded through every crack, in sheets and curls and whiskers. Where the glaze crackling was crosshatched, it formed networks of open-topped boxes.

better salt photo.JPG

That was a wake-up call. I’ve always assumed that if I can’t see crackling, the glaze must be intact, more or less. That meant it was a nice smooth inert vitreous surface, so when I cleaned it, whatever I’d had in the mug would be gone.

I was wrong about that. The salt had mapped a network of invisible cracks that covered the mug inside and out, and the underlying clay body was clearly porous. I found myself remembering every warning I’d ever read about not using your working kitchenware for chemical dyeing projects.

last salt photo.jpg

I’ve also been wondering about microbial life. I don’t know the size limits on particles that can move through porous stoneware, but viruses are awfully small. Maybe this is why a lot of serious gardeners insist on running their plant pots and jardinières through a dishwasher with the temperature set on “high” — basically, an autoclave.

After the mug was completely dry and I’d photographed it for posterity, I took it into the kitchen and gave it a good washing. It promptly grew another coating of salt — not as luxuriant as the first, but thick enough to be semi-opaque. So I washed it again, and it extruded salt again.

I’m now on my fourth round of salt extrusions. This time, instead of letting the mug dry, I’ve filled it with fresh water. The idea is that the water will push the salt before it. The results are encouraging: I’ve got a crop of long elaborate salt whiskers sprouting from the center of the mug handle, which had previously been extrusion-free.

I’ve always loved pottery. I love it still. But I trust it less.

April 21, 2015
On sale today: Robert Charles Wilson’s The Affinities
Posted by Teresa at 08:25 AM * 27 comments

affinities.jpg On sale today in hardcover and e-book. Excerpt here. Brief interview with the author here. Author website here.

Our flap copy:

In our rapidly-changing world of social media, people are more and more able to sort themselves into social groups based on finer and finer criteria. In the near future of Robert Charles Wilson’s The Affinities, this process is supercharged by new analytic technologies—genetic, brain-mapping, behavioral. To join one of the twenty-two Affinities is to change one’s life. It’s like family, and more than family. Your fellow members aren’t just like you, and they aren’t just people who are likely to like you. They’re also the people with whom you can best cooperate in all areas of life—creative, interpersonal, even financial.

At loose ends both professional and personal, young Adam Fisk takes the suite of tests to see if he qualifies for any of the Affinities, and finds that he’s a match for one of the largest, the one called Tau. It’s utopian—at first. Problems in all areas of his life begin to simply sort themselves out, as he becomes part of a global network of people dedicated to helping one another—to helping him.

But as the differing Affinities put their new powers to the test, they begin to rapidly chip away at the power of governments, of global corporations, of all the institutions of the old world. Then, with dreadful inevitability, the different Affinities begin to go to war—with one another.

Some reviews:

“Like social media groups on steroids, the 22 ‘Affinities’ in the world of Robert Charles Wilson’s novel provide individuals with communities stronger than family. This timely thriller will keep you turning its pages until the wee hours of the morning.”
Paste Magazine

“An intriguing and seriously innovative attempt to grapple with some of the issues raised by the 21st century’s obsession with social media.”
Kirkus Reviews (starred review)

“A fascinating transformation on one of the oldest plot devices in SF: people who are widely hated for their inherent difference from the rest of humankind….Wilson’s trademark well-developed characters and understated but compelling prose are very much in evidence in this quietly believable tale of the near future.”
Publishers Weekly

April 18, 2015
A few simple desultory philippics
Posted by Patrick at 07:46 PM * 548 comments

Jeet Heer, in the New Republic, on the crisis of the Hugo Awards. Yes, I just actually typed the words “the New Republic, on the crisis of the Hugo Awards.” 2015 is a strange place.

Marko Kloos is a stand-up dude.

The supposedly “moderate” Sad Puppies, struggling to obscure their complicity with Vox Day.

The psychology of sad & rabid puppies. Occasionally strays into assertions that are unfalsifiable, but smart anyway.

Jeet Heer again: “The nomination process works on the wisdom of crowds, which the final vote winnows to a winner. Slate voting undermines.” Quite right. Teresa and I don’t even nominate or vote for exactly the same people and works, and our two hearts beat as one. Repeat after me: Slates break the Hugos.

Puppies deleting their embarrassing internet history.

“Someone sensible has looked at how the available data compares with Brad Torgerson’s claim to have drawn up his Hugo nominations slate with ‘the democratic selection system of the Hugo awards…No “quiet” logrolling. Make it transparent.’”

GRRM on the claimed “transparency” of the SP selection process. “We want democracy. We want transparency. We don’t want log-rolling. General elections need to be honest, but primary elections should be honest too. And you guys do NOT believe in any sort of political litmus tests, I know, you’ve said as much a hundred times…so I know you will welcome my own suggestions for Sad Puppies 4, right? Oh, and PNH and TNH, and N.K. Jemisin, and Connie Willis, and David Gerrold, and John Scalzi, and all my friends in the Brotherhood Without Banners…we all love science fiction, we all love puppies…”

April 14, 2015
The 2015 Hugo finalists, v. 2.0
Posted by Teresa at 01:16 PM

We’ve shut down comments in the previous iteration of this thread because they hit the four-digit limit. Everything there can still be read, but new comments go here.

April 13, 2015
Discussing Specific Changes to the Hugo Nomination Election: Another Guest Post By Bruce Schneier
Posted by Bruce Schneier at 07:11 AM

This is a continuation of an earlier thread (now closed) about the Hugo nomination process and how it might be modified. It is not a discussion of either 1) whether or not the nomination process should be changed, or 2) any potential changes in the rules about who is allowed to nominate. It is exclusively focused on voting systems and their relative merits, given what happened in the 2015 Hugo nomination process. Whatever we choose should have these properties:

  • It should be fair.
  • It should be perceived as fair.
  • It should be relatively easy to explain, both to the voters and at the WSFS business meeting.
  • It should be relatively easy to administer.
  • It should encourage people to nominate.
  • It shouldn’t result in too many nominees for the electorate to reasonably read and rank by the Worldcon.
  • It should be resilient to some degree against strategic voting: i.e., minority voting blocs.

In the earlier thread, we identified several different ways to change the voting system. I am going to number them, so we can more easily discuss and compare their properties and suitability.

Option 1: Change the number of candidates a person can nominate. Right now, that number is 5. It can be made less — or more — than 5. Call this parameter x.

Option 2: Change the number of winners of the nomination election. Right now that number is 5, with the possibility of more in the case of a tie. We can make this larger (or smaller, I suppose). We can either fix this number at a single value, or make it variable based on various characteristics of the votes (several ways of doing this is are here, here, here, and here). Call this parameter z.

Option 3: Change the mechanism by which the winners are selected. Right now it is a simple first-past-the-post system, in which the nominees that get the most votes win. There are other ways to choose a winner, some more resilient to bloc voting than others. Here, we have several possibilities:

Option 3a: A Satisfaction Approval Voting (SAV) system (see here, here, and here). In this system, the “satisfaction” of each voter with each possible set of winners is computed based on how many of their nominations win). The winners are chosen to maximize the total satisfaction of all voters. SAV computes each voter’s satisfaction as the fraction of their nominees who are elected.

Option 3b: A Proportional Approval Voting (PAV) system (see here). This system is like SAV, except each voter’s satisfaction is computed with the first nominee elected giving +1 satisfaction, the second nominee +1/2, the third nominee +1/3, and so on - so a voter who had three of their nominees chosen would have a satisfaction of 1 + 1/2 + 1/3 = 1 5/6.

Option 3c: A Reweighted Approval Voting (RAV) — also called Sequential Proportional Approval Voting — system (see here, here, here, and here). This system first nominates the candidate with the most votes. Then, all ballots featuring that candidate are “reweighted” so that votes on them are worth proportionally less. The votes are tallied again with the new weights, and then this process is repeated until all nominees are selected. Multiple values of weights has been proposed; these include (Option 3c-1) d’Hondt (1, 1/2, 1/3, 1/4, …), (Option 3c-2) Saint-Lague (1, 1/3, 1/5, 1/7, …), and (Option 3c-3) exponential (1, 1/2, 1/4, 1/8, 1/16…) as the weights for ballots with 0, 1, 2, 3, … candidates already nominated.

Option 3d: A Single Transferable Vote (STV) system (see here and here, and a simplified version here) probably without — but possibly with — ranking. (Illustration with ranking here.) Votes are “divvied up” among the candidates, according to what the ballots say. Candidates are nominated one by one, based on which one has the most votes. Each time a candidate gets nominated, it “uses up” a certain number of votes, which is taken proportionally from the votes it currently holds. If a voter has elected a pre-determined number of candidates, it is discarded. (Call this parameter y.) If no candidate has enough votes, the one with fewest votes is eliminated. Remaining votes are redistributed after each election or elimination. Variants: with or without ranking; and with or without transfers of “extra” votes.

Option 4: Banning Slates. We create a rule outlawing slates. We’d have to figure out how to define a slate, and how to enforce the rule, but it could be done.

Option 5: Making the Voting Tallies Public Throughout the Process. The voting administrator makes public the current state of the vote throughout the nominating process.

These are not mutually exclusive, of course, although we can choose only one Option 3.

Other systems people have mentioned are Cumulative Voting, Single Divisible Vote, Random Ballot, Condorcet Proportional Representation, anti-votes, and several different ways of adding a third voting/approval round. These have not garnered very much support (for good reasons, I think), and I don’t think these are worth further consideration.

Again, there are many important issues relating to Hugo voting that are not part of this discussion, but should be discussed elsewhere, including: 1) whether to do something at all, 2) whether to change the electorate, either by making voting easier, making it harder, or turning either the electorate into some sort of preselected jury, 3) changing the voting mechanism of the final election in addition to the nominating election. This discussion assumes that whoever decides these things wants something to be done about the nomination system. We’re here to figure out what should be done in that case.

(Thank you to Cheradenine and Jameson Quinn for helping with this summary post.)

April 07, 2015
On voting systems: a guest post from Bruce Schneier
Posted by Bruce Schneier at 03:18 PM

I’ve been thinking about voting systems lately, and Teresa has graciously allowed me this space to hash out some ideas with others.

There are a lot of ways to deal with the problem: Brad Templeton has a good list. As a preliminary, this is what I currently think about the general situation.

  1. I think the best choice would be to do nothing. It’s not at all obvious that this is anything other than a temporary aberration, and that any fixes won’t be subject to a different set of abuses and need to be fixed again. I think the worst situation would be a series of rule changes in a continuous effort to stave off different abuses. I don’t think highly of a bureaucracy that tinkers with election rules until it gets the results it wants.
  2. If we choose to ignore (1), the second-best choice is to modify the electorate. The problem isn’t the rules of the vote; the problem is that a voting bloc was able to recruit voters from outside the usual community. Trying to fix that problem by changing the voting rules is very difficult, and will have all sorts of unintended consequences.
  3. If we choose to ignore (1) and (2), this is the thread to discuss how to fix the voting rules.
I’d like to limit this thread to that: discussions of various voting systems and how changing to them might help and hurt. I am less interested in the politics of the Hugo elections and the bureaucratic processes of WSFS than in these voting systems as a theoretical construct. I understand that these are inexorably linked, but think there’s value in discussing the voting systems issues separately.

The Hugo selection process is best thought of as two separate elections. The first is the nomination election, in which voters use an entirely write-in process to select a slate of five nominees in each category by simple plurality. The second is the actual Hugo election, where voters select a winner from the five nominees in each category using an “Australian ballot” instant-runoff system

Let’s talk about what happened this year.

The way to think about the Sad Puppies and their slate is as a political party. Essentially, what we saw was the rise of a political party (technically, two parties with highly correlated slates) in an election that has never had parties before. Parties are powerful for two reasons. One, they focus voters’ preferences onto specific candidates, increasing the power of their votes. Both Dave McCarty and Django Wexler explained how this works:

Let’s consider a hypothetical election between Green and Purple voters. There are 800 Greens in the voting pool, and 200 Purples. The Greens mostly prefer Green works, of which there are, say, 10 in serious contention — we’ll call those G1, G2, etc. The Purples similarly prefer Purple works, P1, P2, etc.

The Greens have no organization. Each Green picks the five works out of the ten that he or she personally likes best. Assuming each work has its fans, this will lead to a vote distribution that is reasonably even — say 95 for G3, 93 for G5, 89 for G8, down to 56 for G1.

If the Purples voted similarly, they would get a similar distribution: 34 for P2, 30 for P10, and so on. In this case, the ballot would be all Green, since the fifth-most popular Green work is more popular than all the Purples.

Instead, Purple Leader says, “Hey, lets all vote for P1, P2, P3, P4, and P5.” The Purples all go along with this. So those five works receive 200 votes each, and the others zero. Now the final ballot will be entirely Purple! The minority, by being more organized, runs the table. The Purples don’t cheat; neither have they suddenly become a majority. They simply have a more effective strategy, considered solely in terms of getting Purple on the ballot.

This is why political parties are so powerful, and why U.S. voters will generally vote either Democrat or Republican even if they prefer a third-party candidate.

The second reason political parties are powerful is that they provide a shorthand for marginal voters. I do this myself: “I have no idea who to vote for in this City Council election, but I normally prefer Democrats, so I’m going to vote for their candidates.” This makes it easier for me to vote, and therefore more likely for me to vote.

We saw both of these dynamics in the 2015 Hugo nomination election. People who normally didn’t pay attention were motivated to vote because they could vote the slate without any further thought, and the existence of the slate focused their votes to make them even more effective.

Normally, this is all good and why we generally like political parties. We don’t in this case because of a divergence between the purpose of the parties and the purpose of the Hugos. In a normal political election, the parties are strongly correlated with the issues of the election. So when we choose to vote for the Republican party, we are choosing a set of policies that a Labour government can be reasonably expected to follow. The Hugos are different. The election is supposed to choose works based on overall quality, but the parties are choosing works based on some moral/ethical/political philosophy. Elizabeth Bear touched on this. So what is normally a good thing — a political party — becomes a bad thing.

Of course, one way to fight a political party is with a rival political party. Many people expect rival slates to appear next year, and for the Hugos to forever be a battle of slates, which means that the Hugos will be a battle of ideologies rather than a referendum on the quality of fiction.

This is not a simple problem to fix. Strategic voting — modifying your vote based on what you know or believe about the votes of others — is a powerful strategy, and probably a dominant one. But there are voting systems that minimize the effects of slate voting.

But remember, no election system is perfect, and choosing one is an exercise in trading off among various problems. It’s may be easy to reconfigure an election system to reduce the effects of a current set of abuses, but it’s much harder to design an election system that is immune from future abuses. Any changes should be examined carefully before being implemented.

More in the comments.

The morning news
Posted by Teresa at 09:17 AM

Bruce Schneier (facts, nonfactual amusing facts, Schneier on Security) is going to host a front-page post and discussion here of voting systems and voting theory, starting about 3:30 PM EDT. If you don’t know why you should be interested, follow the links.


Niall Harrison’s The Puppy Hugos, in Strange Horizons, is a substantial discussion of this year’s Hugo mess from a British viewpoint. He reports that this year’s Eastercon* put together a last-minute standing-room-only panel on Sunday night to discuss future responses to the Hugo awards. This year’s responses don’t appear to be in question: No Award.

April 06, 2015
Clean Living Under Difficult Circumstances
Posted by Patrick at 10:09 AM

(1) Black Gate reviewer Matthew David Surridge made the difficult decision to decline a Hugo nomination for Best Fan Writer, when he discovered that he’d been the beneficiary of promotion by both of the puppy slates, and realized how out of sympathy he was with their goals. He wrote a very thoughtful post about it which everybody should read—long but rewarding. Props to a guy who’s done a very hard thing.

(2) Longtime WSFS toiler Kevin Standlee has a post sorting out all our misconceptions about how No Award works, and how to use it effectively when you vote. I was wrong! (Along with a lot of the rest of you.) Read Kevin’s post and get set straight.

April 04, 2015
The 2015 Hugo finalists
Posted by Patrick at 12:14 PM

The ballot is here. It’s not pretty. Other folks will have detailed comments and analysis, including lists of which finalists come from the “Sad Puppy” slate.

Here and elsewhere, we’ve seen a bunch of people try to make the “Sad Puppy” campaign seem reasonable and unexceptionable. That’s one face of their initiative.

Here’s the other face:




Two observations here:

(1) Clearly, the Sad Puppy campaign is all about healthy fannish enthusiasm for particular people and books, not at all about vengeance, score-settling, or a desire to “hurt” “social justice warriors” and “hunt down” the “disease”. They’re all just nice folks who make jokes about puppies.

(2) Reaching out to #GamerGate, inviting them to join Worldcon: special.

To repeat something I said in the lengthy Making Light comment-section discussion of all this, here’s my own take what’s not a big deal, and what really is a big deal.

(1) To the best of my knowledge, the campaign to get a slate of specific people and works onto the Hugo ballot hasn’t done anything that violates the rules.

(2) As anyone over the age of ten knows, it’s generally possible to do things that are dubious, or scummy, or even downright evil, without violating any laws or rules.

(3) Merely running a campaign to get a slate of specific people and works onto the Hugo ballot doesn’t really rise to the level of “evil”, but it’s definitely “dubious” at the very least. Which is to say, it violates a lot of people’s sense of how one ought to behave, and if you do it you’ll incur widespread disapproval. Prepare to deal.

(4) However, running a campaign to get a slate of specific people and works onto the Hugo ballot and reaching out to #Gamergate for support in this…in effect, inviting a bunch of people who traffic in violent threats, intimidation, and “SWATting” to join our community…well, that rises all the way to “downright evil”.

For complicity with this, the Sad Puppy campaign deserves our comprehensive rejection.

April 01, 2015
Both more and less than political
Posted by Abi Sutherland at 04:05 PM

Throughout this long recent discussion, I’ve had a passage from The Left Hand of Darkness rattling around in my head. It popped up because it strikes me that one of the fundamental cultural clashes that we’re dealing with is between the belief that the ends—getting the “right works” or the “right authors” their rockets*—justify the Sad Puppies’ means, and the weirder and more subtle belief that the “right result” of a Hugo vote is unknowable, and can only be achieved by using the right means to go about it.

The conversation in question occurs between Estraven and Ai up on the Ice. Estraven asks Ai why the Ekumen sent him to Gethen alone. Ai’s answer is even more interesting and relevant than I remembered.

It’s the Ekumen’s custom, and there are reasons for it. Though in fact I begin to wonder if I’ve ever understood the reasons. I thought it was for your sake that I came alone, so obviously alone, so vulnerable, that I could in myself pose no threat, change no balance: not an invasion, but a mere messenger-boy. But there’s more to it than that. Alone, I cannot change your world. But I can be changed by it. Alone, I must listen, as well as speak. Alone, the relationship I finally make, if I make one, is not impersonal and not only political: it is individual, it is personal, it is both more and less than political. Not We and They; not I and It; but I and Thou. Not political, not pragmatic, but mystical. In a certain sense the Ekumen is not a body politic, but a body mystic. It considers beginnings to be extremely important. Beginnings, and means. Its doctrine is just the reverse of the doctrine that the end justifies the means. It proceeds, therefore, by subtle ways, and slow ones, and queer, risky ones; rather as evolution does, which is in certain senses its model… So I was sent alone, for your sake? Or for my own? I don’t know.

I was just going to bring this up in an ends-verses-means way, which is in fact important to what the Hugos are. But the passage also echoes what, precisely, is the difference between the rather chaotic means of choosing the Hugo that has evolved over time and the Sad Puppies’ slate-based, goal-oriented one.

When I sit alone with my Hugo nomination page and try to wrestle through the eligibility lists, thinking about the things I’ve enjoyed over the past year, I’m faced with the fact that my relationship with literature and media is both more and less than political. As a single person reacting to what the field has produced I must listen, as well as speak in the way that someone voting en bloc need not. And doing this thing alone, I can’t dictate what “should” win. I cannot change the Hugos. But I can be changed by them. The relationship is not political, not pragmatic, but mystical.

And that’s really the point of SF&F, at least as I love it: exploring worlds that weren’t in my head before I started reading. Encountering ideas I didn’t imagine, or expect, before opening the covers or watching the opening scene. Allowing myself to be changed by what I experienced. Discovering what I wanted by finding it. These are experiences and ways of learning that, in other contexts, are described as mystical. The term fits.

My Hugo nominations and votes are reactions to that broadening-out of my mental universe. As such, they’re intimately, intensely personal. And that’s part of the visceral reaction that some fans are having to the Sad Puppies’ slate: it looks like the institutionalization of a private, particular process in the service of an external goal. It comes across as a coarsening and a standardizing of something that should be fine-grained, unpredictable, and unique to each person participating. It seems like denial of variety and spontaneity, like choreographed sex.

And it ruins the nature of the Hugos as the strange, unpredictable product of all of these solitary musings. It removes the mystery, the quirkiness, the weirdness and the wonderfulness. Then it’s just an election, with partisans and campaigning and slogans and crap. Surely we have enough of those already.

Does this analogy cast fandom as the Ekumen, as a kind of body mystic? Maybe, but it’s an extremely easy mysticism to join in with. Pick up a wide variety of books and be open to what they say. Create your own personal and unique relationships with them. Reflect those relationships in your own distinctive ways on the Hugo ballot.

* Yes, I know that there is also the stated objective of widening the pool of Hugo voters. But that doesn’t require a slate to achieve.