When I buy a book by a favorite blogger, I am more aware than
otherwise that by doing so I'm supporting their lifestyle, which
includes creating free content and putting it on their blog. I consider
this a fair trade.

When I did strategy consulting, I'd call this a mismatch between
value creation and value capture. I'm not exactly paying for the thing
I like best, and the author isn't exactly charging for the thing that
makes them famous, but it seems to work out.

Of course, if MY had said "by buying the book, you're subsidizing my
blog" it wouldn't have sounded quite as interesting. Or ridiculous.

It's a book. That a blogger wrote it matters only insofar as he manages to do what set out to do when he wrote it.

Thanks,

-V.

Not entirely sure if that's germane, but I certainly find it interesting.

On the other hand, books don't change, so that if a year later, the
writer has totally changed their opinions, or wants to try to change
what they said, they can't. The trouble with the modern reliance on
blogs and radio "commentators" is that when they are proven wrong,
wrong, wrong, they can go back and try to claim that they said
something different.

You bet I prefer books. Down with info-tainment.

Uh, no, I found it funny. Which is to say, partly ridiculous and partly true, which I daresay is how Matthew intended it.

We don't, in fact, know how all this new media is going to shake out
in the long run, so we tell ourselves a lot of stories and (hopefully)
adjust as "truth blows us an icy kiss." This is pretty much the
definition of a situation in which it's good to have some idealism,
some skepticism, and a sense of humor.

Except that each chapter is maybe a page long.

So far the only book I bought that was basically a compilation of
blog posts, I found way too "slight" in print. But I do find that my
preference in author's blogs affects my fiction purchasing somewhat.
The Venn diagram of "Liking the blog" and "Liking the fiction" is a
pair of overlapping circles but with noticeable areas that don't
intersect. I have favorites whose books I buy regardless, some of whom
don't blog at all, and there are authors whose fiction I like but whose
blogs are just "meh" to me. But there are authors whose blogs I like
much more than their fiction. I can see that the fiction is, in some
theoretically objective sense, good - often award-winning - but it's
just not my cuppa tea. But I will sometimes lean toward buying one of
their new books anyway, because of enjoying the blog.

MY is paid to blog by the Atlantic Monthly, odd as the idea of being paid to blog may seem.

In context, the "vast interactive new-media experience" was posting comments on his blog about his book.

Look! If I flip these pages really fast, the picture in the corner moves!

Imagine an author writes a book on, say, the intensifying global
conflicts over resource scarcities. The author also has a blog, mostly
about the same subject. As new information emerges, the author comments
on how this interrelates with the material and ideas in his book. You,
as a reader, are invited to comment on the same material. That really
is a new form of author/reader interaction, isn't it? If you haven't
read the book, you'll be missing out on a lot of the conversation.

I haven't read his book, and I rarely read his blog, so I've no idea
if this is actually the case. Still, it seems like it might be a new
model--a hybrid between an ongoing book lecture and a constantly-update
preface. It would be neat: I often close a book thinking to myself,
jeez, I sure wish I could ask the author a few questions!

It also makes upgrades a cinch provided one observes the usual caveats about compatibility.

TV production costs are measured in millions of dollars per hour (up
to six to ten megabucks per hour of a top-grossing show; down to
$1M/hour for soap opera). For a cheesy reality show, you can budget
$0.2-0.5M/hour. For a shoestring machinima production, you can probably
get it down to $0.1M/hour, or $2000 per minute. That's for something
like a space battle filmed in Eve Online and maybe a couple of jump
shots to actors animated in Sims 2 or some other entry level machinima
package. If you want to do something creative, the budget exponentiates
rapidly.

And ebooks don't sell well. Even Baen only shift a few thousand
units per book -- roughly comparable to their hardcover runs -- and
they've got a devoted regular audience and don't make any of the usual
customer-hostile mistakes.

More generally, a lot of what you're paying for with professional
video production is knowledge of the tools, which don't have to be all
that expensive by themselves (viz. the credits list
for Final Cut Pro, including Cold Mountain, which was an Oscar nominee
for edting). But the cheap stuff isn't necessarily what expensive pros
know how to use, and that can result in, well... incongruities. My
favorite concerns The Lost Skeleton of Cadavra, a full-length fan
tribute to '50s skiffy B-movies which was shot in video on the cheap,
and then bleached to black and white. This involved set construction
and location work, and still came in under $50,000. When the film got a
studio distribution deal, the first thing the studio did was produce a
quickie professional trailer --- for which they paid, as I recall,
something like double the cost of the movie itself.

So, while video is a field in which the unwary can blow huge amounts
of money very quickly, it seems to be possible these days to do
interesting stuff on the cheap...

I don't recall how I first happened upon Making Light, but it has certainly acted as a gateway drug to several dead tree science fiction purchases.

1. read Making Light (a reward in and of itself)

2. read comment by John Scalzi, follow link to Whatever

3. read Whatever (another reward IAOI)

4. read, nay, devour, Scalzi's free online book Agent to the Stars (no
donation, as I am out of US, sorry John. I promise to buy it in dead
tree form when the TP comes out).

5. read ML (or Whatever) comment by Charles Stross.

6. buy Charles Stross books.

7. wait impatiently for Scalzi's book contract.

8. read Whatever comment by Justine Larbalestier. There is an
additional element here in that I knew a Larbalestier in my childhood
and the curiousity got me. Follow link to Justine's Blog.

9. on Justine's blog, note comments about her author husband, Scott Westerfeld (who also has a blog).

10. buy Scott Westerfeld books.

11. once Justine hits the trade paperback stage, buy Justine's books.

12. once John Scalzi hits the TP stage, buy his books.

13. Profit!!! (well enjoyment anyway)

I tried, when I was in NYC, to get a copy of Teresa's Making Book, but was unable to find a copy.

So I have, as a result of reading this blog, bought and read (mostly, still some in the queue) upwards of 16 books.

And that is not including the one's that were just mentioned here that I have also bought (Shaun Tan's Arrival comes to mind).

You people (ha!) are a dirty low down bunch of enablers.

I think Charlie's being unduly pessimistic here. First, as noted,
Peter Watts' books are heading in this direction - and machinima
production costs and the cost per unit quality of web video more
generally are only going to go down.

Second, he's thinking too narrowly. OK, I agree, a one-minute space
battle is going to be pretty costly. But what about Matt's book and
non-fiction generally? Say he's interviewed, I don't know, John Nagl
for the book - why not video the interview and use parts of that for
the trailer?

Third, why not have online trailers? Why not have a minute of
William Gibson talking about his new book and narrating a tour of Tokyo
or wherever it's set? Authors do chat shows already...

Hmmm... are you aware that you're calling Charlie's Hugo-nominated Accelerando worthless?

I dislike games which have bits of "story" in them, mostly because
they aren't that interesting, and once I've seen them they just take up
time pushing the same (weak) "story" and acting at me.

They don't add value, they detract. I suspect I would feel much the same with video added to my books.

I sure as hell hope he gets grief for that.

Contempt of cop is always risky, because they as a group, are
possessed both of immediate power (resisting an unlawful arrest is a
crime), and, pretty much, are their own oversight authority.

Cheap video has changed that, somewhat, but as the cop abusing the
kid in the first clip shows, they don't have the sense that they have
to answer to anyone, and believe they have the right quash oversight by
the people they are supposed to be serving.

I'm not one to use the,"I pay your salary" argument very often, but
cops are one case where whom they serve is of paramount importance, the
fact they are supposed to serve the public, and the ideals of the
public they serve are (so we keep being told) against the sort of
arbitary instantiations of powe as are shown here matters.

I wish the idiot had called the kids mother; and that she was savvy,
because my mother would have handed him his lunch, at the precint, with
a lawyer, and a copy of the tape.

All hail YouTube.

I'm of the generation where short, consumable multimedia is both
cheap and easy to produce, and I have a huge appetite for 2-10 minute
vignettes I can show to my friends when we're bored. If some writer had
some keen web-available teaser, and it was of Strongbad or Ask a Ninja or Loading Ready Run quality... that would greatly enhance things for me, and attract me to that ebook pretty quickly.

Also, bear in mind that some of the communities likely to read online fiction or ebooks in the near future are likely to have the skillset to quickly and casually produce massive amounts of media with little to no money.

Example: I play in a small online RPG guild. There are something
like... 60-70 people in it, all between the ages of 15 and 37 (average
about 22). At least three have posted small 'joke' projects that
required extensive video and/or audio editing just to entertain the
other 60 people who read the guild website. These are not typically
people who have huge disposable incomes, though they do all have a high
end PC and a net connection. Also note that video quality/resolution
doesn't have to be as high for 'net or e-stuff, which cuts the costs
down significantly.

I originally planned on ending this post by referencing the successful free online work of fiction John Dies at the End, as an example of the kind of thing which has a fanbase that could hypothetically
create a cool video on the cheap. I didn't think I'd actually find a
real answer when I got there. Let's review our current main argument:

"Speaking of vast, new multi-media experiences, how long before the
first e-book with a short movie or slide show with voice-over or
something similar as its "cover" treatment?"

"Doug, it would have happened already if it was economically viable."

Well... go to John Dies at the End. They've got a trailer for their book
on its 'cover' (the front page of the website) and up on youtube. The
e-book is just the free text of the website, and the trailer is technically
for both the ebook and the print edition... but as far as the question
of whether or not a slideshow-movie-trailer for an ebook is viable?

It is economically viable, and it has happened.

Take that, future!