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      <title>Making Light :: Atlanta Nights and PublishAmerica :: comments</title>
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      <title><i>Atlanta Nights</i> and PublishAmerica</title>
      <description>I&amp;#8217;m about to be internet-deprived for a couple of days. The timing is frustrating. After all the time I&amp;#8217;ve spent...</description>
      <content:encoded>I&#8217;m about to be internet-deprived for a couple of days. The timing is frustrating. After all the time I&#8217;ve spent...</content:encoded>
      <link>http://nielsenhayden.com/makinglight/archives/006032.html</link>
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         <title>Atlanta Nights and PublishAmerica -- comment #1 from Tracina</title>
         <description>comment from Tracina on 28.Jan.05</description>
         <content:encoded><p>Metafilter picked up the PA sting story yesterday: <a href="http://www.metafilter.com/mefi/39054" rel="nofollow">http://www.metafilter.com/mefi/39054</a></p>
	 <p>Posted January 28, 2005  7:37 AM by Tracina</p></content:encoded>
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         <pubDate>Fri, 28 Jan 2005 07:37:17 -0500</pubDate>
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         <title>Atlanta Nights and PublishAmerica -- comment #2 from Bill Blum</title>
         <description>comment from Bill Blum on 28.Jan.05</description>
         <content:encoded><p>.... words fail me.</p>

<p>This is one of the funniest things I've encountered in a while.</p>
	 <p>Posted January 28, 2005  7:40 AM by Bill Blum</p></content:encoded>
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         <pubDate>Fri, 28 Jan 2005 07:40:00 -0500</pubDate>
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         <title>Atlanta Nights and PublishAmerica -- comment #3 from Connie H.</title>
         <description>comment from Connie H. on 28.Jan.05</description>
         <content:encoded><p>>Three guesses who wrote it.</p>

<p>I'm going with Yog Sysop, but that may just be the pain from the wincing I was doing speaking.</p>
	 <p>Posted January 28, 2005  8:10 AM by Connie H.</p></content:encoded>
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         <pubDate>Fri, 28 Jan 2005 08:10:27 -0500</pubDate>
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         <title>Atlanta Nights and PublishAmerica -- comment #4 from PiscusFiche</title>
         <description>comment from PiscusFiche on 28.Jan.05</description>
         <content:encoded><p>I know who wrote it, but that's because he confessed to the LBJ reference on another board. :)</p>

<p>That's a beautiful job of looking bad. I think I might ACTUALLY buy Atlanta Nights, just so I can have it as the eternal reference on what not to do. </p>
	 <p>Posted January 28, 2005  8:46 AM by PiscusFiche</p></content:encoded>
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         <pubDate>Fri, 28 Jan 2005 08:46:47 -0500</pubDate>
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         <title>Atlanta Nights and PublishAmerica -- comment #5 from Cathy</title>
         <description>comment from Cathy on 28.Jan.05</description>
         <content:encoded><p>I'm sure it will be on the next PW and LJ bestsellers list and am purchasing a copy for our library right away.</p>
	 <p>Posted January 28, 2005  9:19 AM by Cathy</p></content:encoded>
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         <pubDate>Fri, 28 Jan 2005 09:19:40 -0500</pubDate>
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         <title>Atlanta Nights and PublishAmerica -- comment #6 from scott h andrews</title>
         <description>comment from scott h andrews on 28.Jan.05</description>
         <content:encoded><p>i'm betting on Yog as well -- i think the "and then" construct gives it away.  he could have also used "gray" and "grey" to denote different shades, but that might have confused the poor folks at PA.  :)</p>
	 <p>Posted January 28, 2005  9:22 AM by scott h andrews</p></content:encoded>
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         <pubDate>Fri, 28 Jan 2005 09:22:38 -0500</pubDate>
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         <title>Atlanta Nights and PublishAmerica -- comment #7 from James D. Macdonald</title>
         <description>comment from James D. Macdonald on 28.Jan.05</description>
         <content:encoded><p>Darn, that was fast, Connie.</p>

<p>And you know something?  Here I am, knowing that's a Bad Book, but still wishing it well and hoping that lots of people buy copies and read it and love it.</p>

<p>That's the basic Author Reaction, the one that PublishAmerica relies on.  Thing is, I'm made of stern stuff.  I'm not going to buy a hundred copies and try to set up bookstore signings and sell them out of the trunk of my car.  Others... the people who went with PA thinking they were a real publisher ... may not have that strength.</p>

<p>If someone wants to buy four copies and send them with fifty bucks to the Pulitzer committee, I won't say no.</p>

<p>(The proceeds from the first 32 copies sold will go to buying an ISBN so this book can be available in brick-and-mortar bookstores from sea to shining sea.  All the rest of the profits will go to the SFWA Emergency Medical Fund.)<br />
</p>
	 <p>Posted January 28, 2005  9:23 AM by James D. Macdonald</p></content:encoded>
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         <pubDate>Fri, 28 Jan 2005 09:23:04 -0500</pubDate>
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         <title>Atlanta Nights and PublishAmerica -- comment #8 from mistri</title>
         <description>comment from mistri on 28.Jan.05</description>
         <content:encoded><p>How many copies have sold so far, do you know?</p>

<p>I've bought one.</p>
	 <p>Posted January 28, 2005  9:45 AM by mistri</p></content:encoded>
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         <pubDate>Fri, 28 Jan 2005 09:45:04 -0500</pubDate>
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         <title>Atlanta Nights and PublishAmerica -- comment #9 from Anne KG Murphy</title>
         <description>comment from Anne KG Murphy on 28.Jan.05</description>
         <content:encoded><p>... his recent ordeal only recently over.</p>

<p>That says it all, really (and yet, there's so much in there, it's amazing).  Thank you for a smile to start my morning.</p>
	 <p>Posted January 28, 2005  9:52 AM by Anne KG Murphy</p></content:encoded>
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         <pubDate>Fri, 28 Jan 2005 09:52:08 -0500</pubDate>
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         <title>Atlanta Nights and PublishAmerica -- comment #10 from Jon Hansen</title>
         <description>comment from Jon Hansen on 28.Jan.05</description>
         <content:encoded><p><i>the afternoon sun, the hot Georgia orb of fire</i></p>

<p>Awesome.  I think I'll write dear Governor Perdue and suggest that as our new state motto.  They could squeeze it in on the flag, right under the seal.</p>
	 <p>Posted January 28, 2005  9:59 AM by Jon Hansen</p></content:encoded>
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         <pubDate>Fri, 28 Jan 2005 09:59:37 -0500</pubDate>
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         <title>Atlanta Nights and PublishAmerica -- comment #11 from Steve Eley</title>
         <description>comment from Steve Eley on 28.Jan.05</description>
         <content:encoded><p>Jon Hansen wrote:<br />
<i>Awesome. I think I'll write dear Governor Perdue and suggest that as our new state motto. They could squeeze it in on the flag, right under the seal.</i></p>

<p>Good idea!  It's been at least ten minutes since the last Georgia flag upheaval, so we're overdue for another.</p>
	 <p>Posted January 28, 2005 10:20 AM by Steve Eley</p></content:encoded>
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         <pubDate>Fri, 28 Jan 2005 10:20:02 -0500</pubDate>
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         <title>Atlanta Nights and PublishAmerica -- comment #12 from James D. Macdonald</title>
         <description>comment from James D. Macdonald on 28.Jan.05</description>
         <content:encoded><p>The press release is up now at <a href="http://www.prweb.com/releases/2005/1/prweb202277.htm" rel="nofollow">PRweb</a>.  If y'all'll link to that, w'all'll appreciate it.</p>
	 <p>Posted January 28, 2005 10:54 AM by James D. Macdonald</p></content:encoded>
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         <pubDate>Fri, 28 Jan 2005 10:54:46 -0500</pubDate>
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         <title>Atlanta Nights and PublishAmerica -- comment #13 from Michael</title>
         <description>comment from Michael on 28.Jan.05</description>
         <content:encoded><p>"It's with mixed feelings that I read the aforementioned text with a fluttery feeling in my solar plexus," said Tom uneditedly.<br />
</p>
	 <p>Posted January 28, 2005 11:08 AM by Michael</p></content:encoded>
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         <pubDate>Fri, 28 Jan 2005 11:08:30 -0500</pubDate>
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         <title>Atlanta Nights and PublishAmerica -- comment #14 from Kip W</title>
         <description>comment from Kip W on 28.Jan.05</description>
         <content:encoded><p>"Why, I remember, way back, when pens used to jam and skip all the time," said Ed Jones.</p>

<p>"Things sure are different in 1973!" said Bill Smithers, grinning.</p>

<p>(from "An Evening in 1973" by Ed Subitzky, in National Lampoon. Memory filter applied.)</p>
	 <p>Posted January 28, 2005 11:49 AM by Kip W</p></content:encoded>
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         <pubDate>Fri, 28 Jan 2005 11:49:42 -0500</pubDate>
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         <title>Atlanta Nights and PublishAmerica -- comment #15 from Jonathan Vos Post</title>
         <description>comment from Jonathan Vos Post on 28.Jan.05</description>
         <content:encoded><p>"Naked Came the Stranger" meets "A Man in Full" as executed by students in Bonehead English.</p>

<p>What fun!  Does the blurb say anything like: "Bestselling author of 'The Eye of Argon' skewers contemporary society and the software New Economy?"</p>
	 <p>Posted January 28, 2005 12:18 PM by Jonathan Vos Post</p></content:encoded>
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         <pubDate>Fri, 28 Jan 2005 12:18:30 -0500</pubDate>
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         <title>Atlanta Nights and PublishAmerica -- comment #16 from John M. Ford</title>
         <description>comment from John M. Ford on 28.Jan.05</description>
         <content:encoded><p>Jim, remember that, no matter how one ascends to that tectonically questionable escarpment, being a NYT Bestselling Author is Forever.</p>

<p>And it does, regardless of what some have claimed, change your life.  My hot flashes are coming about once a week now.</p>

<p>'Scuse me, have to go shopping.</p>
	 <p>Posted January 28, 2005  2:11 PM by John M. Ford</p></content:encoded>
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         <pubDate>Fri, 28 Jan 2005 14:11:25 -0500</pubDate>
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         <title>Atlanta Nights and PublishAmerica -- comment #17 from Karen Funk Blocher</title>
         <description>comment from Karen Funk Blocher on 28.Jan.05</description>
         <content:encoded><p>When Karen Funk Blocher, the not-rich, heavilily-in-debt wannabe fantasy writer with the almost accounting degree, first saw an excerpt from Atlanta Nights. She thought I can write worse than that. And she could. Worse than that part, anyway. Typing the two-fingerwed way shed typed since high school at Fayetteville-Manlius High School in Manlius, NY in the seventies (but the high school is still there) she started typing on the computer at work a new IBM something-or-other her boss recently picked up for Worldwide Travel. Its easy, she thought, as the words took up it's box on the screen.</p>

<p>Then she was eaten by a giant sapce goat. Good thing, too.</p>

<p>The end?</p>
	 <p>Posted January 28, 2005  3:35 PM by Karen Funk Blocher</p></content:encoded>
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         <pubDate>Fri, 28 Jan 2005 15:35:02 -0500</pubDate>
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         <title>Atlanta Nights and PublishAmerica -- comment #18 from Jena Snyder</title>
         <description>comment from Jena Snyder on 28.Jan.05</description>
         <content:encoded><p>Aw, no fair. Come out of that anonymity closet and 'fess up -- which chapter is yours? (I'm Chapter 23 and damn proud of all the sins I committed, hee hee.)</p>
	 <p>Posted January 28, 2005  4:15 PM by Jena Snyder</p></content:encoded>
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         <pubDate>Fri, 28 Jan 2005 16:15:52 -0500</pubDate>
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         <title>Atlanta Nights and PublishAmerica -- comment #19 from Alex Cohen</title>
         <description>comment from Alex Cohen on 28.Jan.05</description>
         <content:encoded><p><em>at high school at Fayetteville-Manlius High School in Manlius, NY</em></p>

<p>Seriously?  Me, too!  Go Hornets!  (Or, err, were we Wasps?  No, pretty sure Hornets, despite the school colors of green and white.) Go F-M!</p>
	 <p>Posted January 28, 2005  4:16 PM by Alex Cohen</p></content:encoded>
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         <pubDate>Fri, 28 Jan 2005 16:16:56 -0500</pubDate>
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         <title>Atlanta Nights and PublishAmerica -- comment #20 from Mary Dell</title>
         <description>comment from Mary Dell on 28.Jan.05</description>
         <content:encoded><p>The first comment on the book's page at Lulu says the writers are "sic [sic] and bored"  asks "Is this sic [sic] humor?" </p>

<p>Which, of course, makes my day.<br />
</p>
	 <p>Posted January 28, 2005  4:24 PM by Mary Dell</p></content:encoded>
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         <pubDate>Fri, 28 Jan 2005 16:24:18 -0500</pubDate>
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         <title>Atlanta Nights and PublishAmerica -- comment #21 from Tracina</title>
         <description>comment from Tracina on 28.Jan.05</description>
         <content:encoded><p>Ms Dell said:<i>The first comment on the book's page at Lulu says the writers are "sic [sic] and bored" asks "Is this sic [sic] humor?"</i></p>

<p>It's no longer the first review from the top.  Here it is, in all its glory (well, minus the three thumbs-down icons, because I couldn't cut and paste them), and note that it actually appears to have been edited since the first time I read it, since I can understand it now:<br />
 <br />
<i>Dislike the principle! by Bobby <br />
Fri 28 Jan 2:46 pm EST 2005</i></p>

<p>Truly, WELL PROVEN WRITERS HAVE SHOWN THEY ARE ( SIC ) AND BORED. Many new writers use Lulu to start a possible writing carrier. Your thrust at PA shows your uncare as to writers trying to come through by using Lulu. Yes, thank you Lulu for being here. </p>

<p>But, this comical sad offering HIGHLIGHTS THE BOREDOM OF KNOW CREATIVE WRITERS. Is this sic humor? A joke created from over drinking and boredom? </p>

<p>It certainly gets my 3 thumbs down. </p>

<p>You are using Lulu as a joke also...IT SHOWS!</p>

<p>Wow!  Your first negative review, folks!  How does it feel?</p>
	 <p>Posted January 28, 2005  4:36 PM by Tracina</p></content:encoded>
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         <pubDate>Fri, 28 Jan 2005 16:36:46 -0500</pubDate>
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         <title>Atlanta Nights and PublishAmerica -- comment #22 from Tracina</title>
         <description>comment from Tracina on 28.Jan.05</description>
         <content:encoded><p>Er...not sure what went wrong there, but the review is everything between "Dislike the principle!" and "IT SHOWS!"</p>
	 <p>Posted January 28, 2005  4:38 PM by Tracina</p></content:encoded>
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         <pubDate>Fri, 28 Jan 2005 16:38:28 -0500</pubDate>
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         <title>Atlanta Nights and PublishAmerica -- comment #23 from Karen Funk Blocher</title>
         <description>comment from Karen Funk Blocher on 28.Jan.05</description>
         <content:encoded><p>Alex Cohen quotes me:at </p>

<p>high school at Fayetteville-Manlius High School in Manlius, NY</p>

<p>and asks,</p>

<p>Seriously? Me, too! Go Hornets! (Or, err, were we Wasps? No, pretty sure Hornets, despite the school colors of green and white.) Go F-M!</p>

<p>Hornets is right.  The school paper was the Hornets' Nest. Class of 1975 here.</p>

<p>In other news, I was not really eaten by a giant space goat.</p>
	 <p>Posted January 28, 2005  5:18 PM by Karen Funk Blocher</p></content:encoded>
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         <pubDate>Fri, 28 Jan 2005 17:18:41 -0500</pubDate>
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         <title>Atlanta Nights and PublishAmerica -- comment #24 from ers</title>
         <description>comment from ers on 28.Jan.05</description>
         <content:encoded><p>Each and every one of the contributors to that soon-to-be-classic tome <i>Atlanta Nights</i> should be sentenced to competing in the Kirk Poland Memorial Bad Prose Competition -- n perpetuity or in rotation, depending on the other, er, contestants in a given year. </p>

<p>Audience members are warned to use the bathroom before the competition begins. You might laugh *that* hard.</p>

<p>This is a cogent an example of a forced tour as ever these four eyes has beheld. Oh yes indeed.<br />
</p>
	 <p>Posted January 28, 2005  5:32 PM by ers</p></content:encoded>
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         <title>Atlanta Nights and PublishAmerica -- comment #25 from Alex Cohen</title>
         <description>comment from Alex Cohen on 28.Jan.05</description>
         <content:encoded><p><em>The school paper was the Hornets' Nest. Class of 1975 here.</em></p>

<p>Ah, by the time I went ('88), it was <em>The Sting</em>.  I worked on it, clearly the beginnings of a sordid career in writing.  The punk intelligentsia's alternative paper was <em>The Stink</em> one year, <em>The Pigbag</em> another, and my senior year it was <em>The Lukewarm: The Average Paper for Mediocre People</em>.  Good times.</p>

<p>You know, F-M has its own observatory now?</p>

<p>Umm... back to your regularly scheduled topic.</p>
	 <p>Posted January 28, 2005  5:32 PM by Alex Cohen</p></content:encoded>
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         <title>Atlanta Nights and PublishAmerica -- comment #26 from Leslie</title>
         <description>comment from Leslie on 28.Jan.05</description>
         <content:encoded><p>Oh, how marvelous.  Kudos to all the chapter authors . . .</p>

<p>In other news, Karen Funk Blocher?  after being regurgatated by the gaint space goat that ate her and then spit her out again which is regurgatation, after that Karen Funk Blocher developd protective amneesia and forgot all about it and denied it ever even happend, which was a good thing since she would have been zapped by death rays while revealing all on the talk show (s) that would  have booked her to talk about her bestseeling expoze, How I Was Eaten by a Gaint Space Goat and Spitten Out Again (i.e. Regurtatated).</p>
	 <p>Posted January 28, 2005  5:41 PM by Leslie</p></content:encoded>
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         <title>Atlanta Nights and PublishAmerica -- comment #27 from Karen Funk Blocher</title>
         <description>comment from Karen Funk Blocher on 28.Jan.05</description>
         <content:encoded><p>Leslie-</p>

<p>I bow to your superior awfulness.  At least I would, were I not busy forgetting my regurgitation.</p>

<p>Alex--</p>

<p>No, I didn't know that. Haven't been to Manlius in a few decades now.  Our alternative rag was the Mycenae Gazelles, edited by the "mayor" of Mycenae.</p>
	 <p>Posted January 28, 2005  6:39 PM by Karen Funk Blocher</p></content:encoded>
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         <title>Atlanta Nights and PublishAmerica -- comment #28 from Mary</title>
         <description>comment from Mary on 28.Jan.05</description>
         <content:encoded><p>One correction:  we were not all SF and fantasy writers.</p>

<p>At least two minor children of writers, who were not themselves writers, pitched in.</p>
	 <p>Posted January 28, 2005  6:41 PM by Mary</p></content:encoded>
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         <pubDate>Fri, 28 Jan 2005 18:41:35 -0500</pubDate>
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         <title>Atlanta Nights and PublishAmerica -- comment #29 from HP</title>
         <description>comment from HP on 28.Jan.05</description>
         <content:encoded><p>You know, I used to be a good writer. Never so great at fiction, but I could write engaging prose when I needed to, and I had some capacity for observation, and a good ear for pastiche and comedy. True, I never really had much ambition, and never sought to be a novelist, but....</p>

<p>But I look at <i>Atlanta Nights</i> and I think, "God, what control. This is not 'bad' writing--this is a virtuosic display of such fine control over the writer's tools, that, uh, good ... -making ... and ... aw, crap." See? I can't even express the combined sense of delight and dismay reading this makes me feel. I bet there's a word for "combined delight and dismay," and I don't even know it. </p>

<p>Fifteen years of "Enter a value for displacement in the Displacement field and press Enter or click OK" and "HP-UX 11 requires patchset 04112" have totally destroyed my ability to write as a means of self-expression. </p>
	 <p>Posted January 28, 2005  6:54 PM by HP</p></content:encoded>
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         <pubDate>Fri, 28 Jan 2005 18:54:15 -0500</pubDate>
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         <title>Atlanta Nights and PublishAmerica -- comment #30 from Bill Higgins-- Beam Jockey</title>
         <description>comment from Bill Higgins-- Beam Jockey on 28.Jan.05</description>
         <content:encoded><p>Jon Hanson writes (quoting the author of Chapter 2):</p>

<p><i>the afternoon sun, the hot Georgia orb of fire</i></p>

<p><i>Awesome. I think I'll write dear Governor Perdue and suggest that as our new state motto. They could squeeze it in on the flag, right under the seal.</i></p>

<p>It could also be a good name for the giant tin peach that surmounts the state on the back of Georgia's quarter.</p>
	 <p>Posted January 28, 2005  7:01 PM by Bill Higgins-- Beam Jockey</p></content:encoded>
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         <pubDate>Fri, 28 Jan 2005 19:01:36 -0500</pubDate>
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         <title>Atlanta Nights and PublishAmerica -- comment #31 from Ray Radlein</title>
         <description>comment from Ray Radlein on 28.Jan.05</description>
         <content:encoded><blockquote><i>Er...not sure what went wrong there, but the review is everything between "Dislike the principle!" and "IT SHOWS!"</i></blockquote>

<p>Paragraphs, as determined by blank lines, break &lt;i&gt;talics tags in MT comment boxes. You either need to reasssert them for each new paragraph, or link the paragraphs together using &lt;p&gt;aragraph tags or some such.</p>
	 <p>Posted January 28, 2005  7:45 PM by Ray Radlein</p></content:encoded>
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         <pubDate>Fri, 28 Jan 2005 19:45:41 -0500</pubDate>
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         <title>Atlanta Nights and PublishAmerica -- comment #32 from Madeline Kelly</title>
         <description>comment from Madeline Kelly on 28.Jan.05</description>
         <content:encoded><p>"Atlanta Nights" is surely the best piece of bad fiction that I've ever read.  And the whole PublishAmerica/sting operation has kept me entertained all week.  It's possible that I'm experiencing schadenfreude (sp?) -- I never knew it could be so enjoyable.</p>

<p>Some of my favourite bits:</p>

<p><i>Chapter 10</i></p>

<p><i>A commodious, confident cloak room was standing discretely behind the double door, for coats, but was empty on this lovely, gorgeous, beautiful morning.</i></p>

<p>Such a lovely sentence!</p>

<p><i>"I will, and he will," exerted her.<br />
"You won't and he won't," claimed he.<br />
"I will, and he will," remonstrated he.<br />
"You won't," explained she, in an explanatory tone of voice.</i></p>

<p>Who could fail to love writing of this quality?</p>

<p><i>The first Chapter 12</i></p>

<p><i>Penelope fluttered, her corn flower blue eyes still stuck to the tray. </i></p>

<p>An image that will stay with me for a long time.</p>

<p><i>Chapter 34</i></p>

<p><i>I am so silky and braid shoulders. At sixty-six, men with a few feet away form their languid gazes.</i></p>

<p>Actually, the whole of Chapter 34 is a delight, but I particularly loved the beginning of it (when I hadn't quite figured out that it was completely random).</p>

<p><i>Chapter 41</i></p>

<p><i>He slung the handful of pills in an overhand arc toward the direction of the designer wastebasket, watching them soar through the luminous light of the Ptolemies World Classic omnidirectional task light</i></p>

<p>It's the 'omnidirectional task light' bit that got  me -- a very pleasing phrase to say over and over again whilst brushing one's hair.</p>

<p>I'll go now.  Just wanted to say 'well done' to the jolly conspirators.</p>
	 <p>Posted January 28, 2005  7:58 PM by Madeline Kelly</p></content:encoded>
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         <title>Atlanta Nights and PublishAmerica -- comment #33 from Carlos</title>
         <description>comment from Carlos on 28.Jan.05</description>
         <content:encoded><p>Wow. I am in awe. It ranks up there with Tom Rottemeyer's <i>A Faucet of Disobedience</i>.</p>
	 <p>Posted January 28, 2005  8:12 PM by Carlos</p></content:encoded>
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         <pubDate>Fri, 28 Jan 2005 20:12:53 -0500</pubDate>
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         <title>Atlanta Nights and PublishAmerica -- comment #34 from Francis</title>
         <description>comment from Francis on 28.Jan.05</description>
         <content:encoded><p>Is there any chance of this work of demented genius being published in Britain?  (IIRC, Lulu don't ship to Britain).  I want a copy.</p>
	 <p>Posted January 28, 2005  9:03 PM by Francis</p></content:encoded>
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         <pubDate>Fri, 28 Jan 2005 21:03:51 -0500</pubDate>
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         <title>Atlanta Nights and PublishAmerica -- comment #35 from Alex</title>
         <description>comment from Alex on 28.Jan.05</description>
         <content:encoded><p>Gaaaaaaaah!!!! Make the awful pain that's making me scream "Gaaaaaaaaah!" stop!!!</p>

<p>Alex</p>
	 <p>Posted January 28, 2005  9:30 PM by Alex</p></content:encoded>
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         <pubDate>Fri, 28 Jan 2005 21:30:47 -0500</pubDate>
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         <title>Atlanta Nights and PublishAmerica -- comment #36 from Andrhia</title>
         <description>comment from Andrhia on 28.Jan.05</description>
         <content:encoded><p>Oh. My. Lord. I am in tears reading this excerpt. I think I have to buy my own copy.</p>

<p>I have to wonder how much of your typical slush pile looks exactly like this, too.</p>
	 <p>Posted January 28, 2005 11:48 PM by Andrhia</p></content:encoded>
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         <pubDate>Fri, 28 Jan 2005 23:48:41 -0500</pubDate>
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         <title>Atlanta Nights and PublishAmerica -- comment #37 from Nancy Hanger</title>
         <description>comment from Nancy Hanger on 29.Jan.05</description>
         <content:encoded><p>The breasts were a dead giveaway, Macdonald.</p>
	 <p>Posted January 29, 2005 12:26 AM by Nancy Hanger</p></content:encoded>
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         <pubDate>Sat, 29 Jan 2005 00:26:47 -0500</pubDate>
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         <title>Atlanta Nights and PublishAmerica -- comment #38 from Linkmeister</title>
         <description>comment from Linkmeister on 29.Jan.05</description>
         <content:encoded><p>Oh dear. </p>

<p><i>her corn flower blue eyes still stuck to the tray.</i></p>

<p>Hybrid grapes, maybe?</p>
	 <p>Posted January 29, 2005  1:17 AM by Linkmeister</p></content:encoded>
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         <pubDate>Sat, 29 Jan 2005 01:17:21 -0500</pubDate>
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         <title>Atlanta Nights and PublishAmerica -- comment #39 from jane</title>
         <description>comment from jane on 29.Jan.05</description>
         <content:encoded><p>n    nand the use of "he grinned."  I guessed it was Yog.</p>

<p>My special bugaboo: The grinning of whole sentences. Next--the hissing of whole sentences, she admonished.</p>

<p>I declined to play in that minefield, afraid that working hard at such awfullness would stick to my prose style forever. But I am grateful (not to say GREATful) to those with more fortitude.  Well done.</p>

<p>Jane</p>
	 <p>Posted January 29, 2005  3:19 AM by jane</p></content:encoded>
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         <pubDate>Sat, 29 Jan 2005 03:19:51 -0500</pubDate>
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         <title>Atlanta Nights and PublishAmerica -- comment #40 from Sara E.</title>
         <description>comment from Sara E. on 29.Jan.05</description>
         <content:encoded><p>Oh my God, that's just too damn funny.  </p>
	 <p>Posted January 29, 2005  3:39 AM by Sara E.</p></content:encoded>
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         <pubDate>Sat, 29 Jan 2005 03:39:35 -0500</pubDate>
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         <title>Atlanta Nights and PublishAmerica -- comment #41 from Dave Bell</title>
         <description>comment from Dave Bell on 29.Jan.05</description>
         <content:encoded><p>And next, write an entry for the Eurovision Song Context....</p>
	 <p>Posted January 29, 2005  4:00 AM by Dave Bell</p></content:encoded>
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         <pubDate>Sat, 29 Jan 2005 04:00:31 -0500</pubDate>
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         <title>Atlanta Nights and PublishAmerica -- comment #42 from pianoman5</title>
         <description>comment from pianoman5 on 29.Jan.05</description>
         <content:encoded><p>Well done, Travis Tea, Atlanta Nights is surely one of this decade's finest additions to the literary canon.</p>

<p>But I think it's time the guys 'fessed up. You wrote 'The DaVinci Code' too, didn't you?</p>
	 <p>Posted January 29, 2005  4:17 AM by pianoman5</p></content:encoded>
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         <pubDate>Sat, 29 Jan 2005 04:17:11 -0500</pubDate>
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         <title>Atlanta Nights and PublishAmerica -- comment #43 from Vera Nazarian</title>
         <description>comment from Vera Nazarian on 29.Jan.05</description>
         <content:encoded><p>And now, the back cover of ATLANTA NIGHTS is rich with blurb-a-licious goodness!  </p>

<p>Look <a href="http://www.veranazarian.com/Atlanta-back.jpg" rel="nofollow"><b>here to see the blurbs</b></a>.</p>
	 <p>Posted January 29, 2005  6:49 AM by Vera Nazarian</p></content:encoded>
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         <title>Atlanta Nights and PublishAmerica -- comment #44 from Richard Cobbett</title>
         <description>comment from Richard Cobbett on 29.Jan.05</description>
         <content:encoded><p>The Eye of Argon still slightly wins out in the bad prose stakes, if only because nothing in the whole English language will ever be able to top the line...</p>

<blockquote>“You"; ejaculated the Ecordian in a pleased tone'</blockquote>

<p>...but that was one damn funny bad book. Kudos, especially for stabbing at PA in the process.</p>
	 <p>Posted January 29, 2005  7:00 AM by Richard Cobbett</p></content:encoded>
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         <pubDate>Sat, 29 Jan 2005 07:00:30 -0500</pubDate>
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         <title>Atlanta Nights and PublishAmerica -- comment #45 from Francis</title>
         <description>comment from Francis on 29.Jan.05</description>
         <content:encoded><p>Is there any plan to enter this en-mass into the <a href="http://www.bulwer-lytton.com/" rel="nofollow">Bulwer-Lytton</a> contest?  Would be doubly amusing - and an extra layer of sting on <a href="http://www.washingtonpost.com/wp-dyn/articles/A25187-2005Jan20.html" rel="nofollow">Publish America</a> (yes, I know it's <a href="http://www.washingtonpost.com/wp-dyn/articles/A25187-2005Jan20.html" rel="nofollow">PublishAmerica</a> , but <a href="http://www.washingtonpost.com/wp-dyn/articles/A25187-2005Jan20.html" rel="nofollow">Publish America</a> is the one that really needs googlebombing)</p>
	 <p>Posted January 29, 2005  7:44 AM by Francis</p></content:encoded>
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         <pubDate>Sat, 29 Jan 2005 07:44:31 -0500</pubDate>
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         <title>Atlanta Nights and PublishAmerica -- comment #46 from mistri</title>
         <description>comment from mistri on 29.Jan.05</description>
         <content:encoded><p>Lulu do ship to the UK - that's where I am, and I've ordered from there before. I have a one to two week wait for my book at the rate I paid for it.</p>
	 <p>Posted January 29, 2005  8:29 AM by mistri</p></content:encoded>
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         <pubDate>Sat, 29 Jan 2005 08:29:37 -0500</pubDate>
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         <title>Atlanta Nights and PublishAmerica -- comment #47 from Tracina</title>
         <description>comment from Tracina on 29.Jan.05</description>
         <content:encoded><p>Ray Radlein, thank you.  </p>
	 <p>Posted January 29, 2005 10:58 AM by Tracina</p></content:encoded>
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         <pubDate>Sat, 29 Jan 2005 10:58:56 -0500</pubDate>
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         <title>Atlanta Nights and PublishAmerica -- comment #48 from Jonathan Vos Post</title>
         <description>comment from Jonathan Vos Post on 29.Jan.05</description>
         <content:encoded><p>As the footer in today's slashdot reminds us:</p>

<p>"A writer is congenitally unable to tell the truth and that is why we call what he writes fiction." </p>

<p>-- William Faulkner</p>

<p>A little Googling provides attribution, for the above:</p>

<p>"Recalled on his death 6 July 1962"</p>

<p>and refers to the bio in the Columbia Encyclopedia. <br />
</p>
	 <p>Posted January 29, 2005  1:54 PM by Jonathan Vos Post</p></content:encoded>
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         <pubDate>Sat, 29 Jan 2005 13:54:30 -0500</pubDate>
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         <title>Atlanta Nights and PublishAmerica -- comment #49 from NelC</title>
         <description>comment from NelC on 29.Jan.05</description>
         <content:encoded><p>"He threw her his glance and she threw him hers."</p>

<p>I think that's rather sweet, really.</p>
	 <p>Posted January 29, 2005  1:58 PM by NelC</p></content:encoded>
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         <pubDate>Sat, 29 Jan 2005 13:58:40 -0500</pubDate>
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         <title>Atlanta Nights and PublishAmerica -- comment #50 from julia</title>
         <description>comment from julia on 29.Jan.05</description>
         <content:encoded><p>I ordered this on Thurs when I saw the link, but Lulu didn't make it easy.</p>
	 <p>Posted January 29, 2005  4:11 PM by julia</p></content:encoded>
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         <pubDate>Sat, 29 Jan 2005 16:11:55 -0500</pubDate>
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         <title>Atlanta Nights and PublishAmerica -- comment #51 from julia</title>
         <description>comment from julia on 29.Jan.05</description>
         <content:encoded><p>Jim, if you need someone to set the bookstore version, mi quark es su quark.</p>
	 <p>Posted January 29, 2005  4:14 PM by julia</p></content:encoded>
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         <pubDate>Sat, 29 Jan 2005 16:14:28 -0500</pubDate>
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         <title>Atlanta Nights and PublishAmerica -- comment #52 from DonBoy</title>
         <description>comment from DonBoy on 29.Jan.05</description>
         <content:encoded><p>Please don't make fun of "Naked Came The Stanger", of which of have extremely fond memories.  Granted, I was 12 when I found my parents' copy, and if you remember the cover you'll forgive me.</p>
	 <p>Posted January 29, 2005  4:26 PM by DonBoy</p></content:encoded>
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         <pubDate>Sat, 29 Jan 2005 16:26:18 -0500</pubDate>
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         <title>Atlanta Nights and PublishAmerica -- comment #53 from Jonathan Vos Post</title>
         <description>comment from Jonathan Vos Post on 29.Jan.05</description>
         <content:encoded><p>DonBoy:</p>

<p>I'm not making fun of "Naked Came the Stranger."  I'm hinting at a common type of "chain story" origin.</p>

<p>In 1969, as an elaborate joke on the book industry, the successful editor Mike McGrady assembled a group of roughly 20 writers to create the worst sex novel in publishing history. Though each member of the conspiracy wrote a chapter independently of the others, the resulting book --published under the pseudonym "Penelope Ash" -- quickly became a national bestseller (over 100,000 copies in hard cover alone). </p>

<p>McGrady's chief instruction to the distributed authorship as: "There will be an unremitting emphasis on sex. Also, true excellence in writing will be blue-pencilled into oblivion."</p>

<p>The parallel is clear! Except, of course, that blue pencils vanished in the blue-pencil mine disaster of 1973, and we have to use word processing software and collaborationware to achieve the same result today.</p>

<p> <br />
</p>
	 <p>Posted January 29, 2005  4:34 PM by Jonathan Vos Post</p></content:encoded>
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         <pubDate>Sat, 29 Jan 2005 16:34:12 -0500</pubDate>
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         <title>Atlanta Nights and PublishAmerica -- comment #54 from julia</title>
         <description>comment from julia on 29.Jan.05</description>
         <content:encoded><p>Anais Nin complained that the man she was writing her erotica for had much the same requirements.</p>
	 <p>Posted January 29, 2005  4:58 PM by julia</p></content:encoded>
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         <pubDate>Sat, 29 Jan 2005 16:58:37 -0500</pubDate>
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         <title>Atlanta Nights and PublishAmerica -- comment #55 from Linkmeister</title>
         <description>comment from Linkmeister on 29.Jan.05</description>
         <content:encoded><p>There's a <a href="http://www.winningwriters.com/contestflomp.htm" rel="nofollow">Poetry Contest</a> going on which is apparently inspired by the same sort of urge which struck the authors of <i>Atlanta Nights</i>.  In this case, it was <a href="http://www.winningwriters.com/wergleflomp/flubblebop.htm" rel="nofollow">a poem</a> submitted to Poetry.com in an attempt to elicit a rejection.</p>
	 <p>Posted January 29, 2005  7:34 PM by Linkmeister</p></content:encoded>
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         <pubDate>Sat, 29 Jan 2005 19:34:10 -0500</pubDate>
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         <title>Atlanta Nights and PublishAmerica -- comment #56 from Dave Kuzminski</title>
         <description>comment from Dave Kuzminski on 29.Jan.05</description>
         <content:encoded><p>On the Lulu site for Atlanta Nights, there's an option for email that page to a friend. I sure hope that was also permitted for those who weren't considered friends as I'd sure hate to see Larry, Willem, and Miranda miss out on what they're not publishing. Of course, I expect Miranda to make cutting remarks about it.</p>
	 <p>Posted January 29, 2005 11:20 PM by Dave Kuzminski</p></content:encoded>
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         <pubDate>Sat, 29 Jan 2005 23:20:48 -0500</pubDate>
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         <title>Atlanta Nights and PublishAmerica -- comment #57 from CHip</title>
         <description>comment from CHip on 29.Jan.05</description>
         <content:encoded><p>JvP: <i>Also, true excellence in writing will be blue-pencilled into oblivion.</i></p>

<p>I recall it quoted at the time as "Any semblance of literary quality will be....", but that may be the amplification of memory.</p>

<p>Note also that NCtS came out when everybody was going ape over trash of which Jacquelyne Susann was probably the highest-quality example. <i>Atlanta Nights</i> has a wider range of targets.</p>
	 <p>Posted January 29, 2005 11:28 PM by CHip</p></content:encoded>
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         <title>Atlanta Nights and PublishAmerica -- comment #58 from Lenora Rose</title>
         <description>comment from Lenora Rose on 29.Jan.05</description>
         <content:encoded><p>Now I know that those of you who have been giving aspiring authors "permission to write badly" <i>really meant it</i>. <br />
</p>
	 <p>Posted January 29, 2005 11:56 PM by Lenora Rose</p></content:encoded>
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         <title>Atlanta Nights and PublishAmerica -- comment #59 from Charlie Stross</title>
         <description>comment from Charlie Stross on 30.Jan.05</description>
         <content:encoded><p>Oh dear God. (I think I'm addressing Cthulhu here, not the unpronouncable tetragram.)</p>

<p>I kept expecting Fafnir, Giblets, and the Medium Lobster to show up. They're certainly vivid enough ...</p>

<p> You guys (I speak in the addressing-the-authors voice) must surely realize that if this <i>does</i> go on to become a national bestseller because everybody in fandom buys a dozen copies, it will raise the bar for the rest of us? And not in a good way.</p>
	 <p>Posted January 30, 2005 10:39 AM by Charlie Stross</p></content:encoded>
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         <title>Atlanta Nights and PublishAmerica -- comment #60 from abi</title>
         <description>comment from abi on 30.Jan.05</description>
         <content:encoded><p>I wonder if I can get it in sheets?  I bind books, and it seems ideal for a hand binding using the finest in non-archival materials and techniques.  Wood glue and newspaper.  High-acid paper.</p>

<p>Buying it bound and rebinding it would be more trouble than the joke is worth - rebinding perfect bindings is a route to losing the will to live.</p>

<p>I could print out the RTF, of course, but I'd hate to breach copyright on such an important and historical work...</p>
	 <p>Posted January 30, 2005  1:46 PM by abi</p></content:encoded>
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         <title>Atlanta Nights and PublishAmerica -- comment #61 from James D. Macdonald</title>
         <description>comment from James D. Macdonald on 30.Jan.05</description>
         <content:encoded><p>abi, if you want, I could give you permission to print out a copy of the .rtf for personal use, to wit, to make a copy on high-acid newsprint &c.</p>
	 <p>Posted January 30, 2005  5:59 PM by James D. Macdonald</p></content:encoded>
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         <title>Atlanta Nights and PublishAmerica -- comment #62 from abi</title>
         <description>comment from abi on 31.Jan.05</description>
         <content:encoded><p>James,</p>

<p>Yes, please, may I have permission.  I promise to do a cross-grained binding on non-archival paper in glorious shades of purple (like the prose).  If I get it together in time, I'll even exhibit it at Worldcon.  (I'm doing a couple of other bindings for the con anyway.)</p>
	 <p>Posted January 31, 2005  3:19 PM by abi</p></content:encoded>
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         <title>Atlanta Nights and PublishAmerica -- comment #63 from James D. Macdonald</title>
         <description>comment from James D. Macdonald on 31.Jan.05</description>
         <content:encoded><p>Abi, you have permission to make that book.  Do you have the .rtf text?</p>

<p>While it's not required, if you feel like making two, and donating one to the SFWA Emergency Medical Fund for auctioning, I would think you had done a good thing.</p>

<p>Oh ... <i>Atlanta Nights</i> has an ISBN now:  1-4116-2298-7</p>
	 <p>Posted January 31, 2005  6:53 PM by James D. Macdonald</p></content:encoded>
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         <pubDate>Mon, 31 Jan 2005 18:53:41 -0500</pubDate>
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         <title>Atlanta Nights and PublishAmerica -- comment #64 from abi</title>
         <description>comment from abi on  1.Feb.05</description>
         <content:encoded><p>James,</p>

<p>I have the .rtf, yes.  I downloaded it off of one of Teresa's links, because I just <em>had</em> to see how bad it was.  I am impressed.</p>

<p>I don't think I'll have time to make two in the near future (I bind in my spare time, and I've already committed to doing some work for the con).  I'd like to do the bind for the fun of doing it, rather than to end up with another bound book, so a charity auction is an ideal final destination.</p>

<p>So, an alternative suggestion: after Worldcon, I'd be happy to donate the book to the SFWA Emergency Medical Fund for auction.  That way I get to do the bind, fill my display space at the art show, fail to lumber myself with another binding, and do something good for charity.</p>

<p>Fab.</p>
	 <p>Posted February  1, 2005  1:35 AM by abi</p></content:encoded>
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         <title>Atlanta Nights and PublishAmerica -- comment #65 from Dave Luckett</title>
         <description>comment from Dave Luckett on  1.Feb.05</description>
         <content:encoded><p>May one engage in a preauction for this edition? It will, I am certain, be very handsomely bound indeed. </p>

<p>I would like to hand it on to my grandchildren, right after I advise them that I've left my estate to the cats' home, but that this, if used as a negative template, will teach them all they will ever need to know about writing, and hence will be of far more value than the family estate.</p>

<p>Sealed bids, starting at one hundred dollars, US? </p>
	 <p>Posted February  1, 2005  8:40 AM by Dave Luckett</p></content:encoded>
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         <pubDate>Tue, 01 Feb 2005 08:40:38 -0500</pubDate>
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         <title>Atlanta Nights and PublishAmerica -- comment #66 from James D. Macdonald</title>
         <description>comment from James D. Macdonald on  1.Feb.05</description>
         <content:encoded><p>That sounds like a wonderful plan, Abi.  I approve wholeheartedly.</p>
	 <p>Posted February  1, 2005 10:14 AM by James D. Macdonald</p></content:encoded>
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         <title>Atlanta Nights and PublishAmerica -- comment #67 from abi</title>
         <description>comment from abi on  1.Feb.05</description>
         <content:encoded><p>Good.  I already have a binding style in mind.  It will be a half binding (spine and corner pieces in purple leather, remaining cover in purple paper), but in a highly skewed style.  I can't bring myself to do a binding whose structure is as bad as the text, so it will actually feel good in the hands, open well, and be readable.  I know that this is a failing; I should steel myself to match the nadir achieved by the writers.  I admit my unworthiness and apologise most humbly, but make no promise of amendment.</p>

<p>Dave, be aware that I will be using materials that are at best not archivally tested, and at worst archivally hostile, so your grandkids may find it less beautiful than you do.  I don't think it will come apart in much under a century (archival techniques aim at about a 400-year life, so falling short is still lasting long), but the paper may yellow well in advance of that.<br />
The adhesives I will be using won't be reversible, either, so future generations will not be able to rebind it easily when it becomes a priceless historical relic.</p>

<p>I presume James (or some other co-conspirator...I mean co-author) will handle the bids.  I hope he can arrange for the various contributors to sign it as well.  There are clearly some logistics to arrange, but since I need to bind it first, and want to display it at the Worldcon art show in August, these matters are not pressing.<br />
</p>
	 <p>Posted February  1, 2005 12:21 PM by abi</p></content:encoded>
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         <title>Atlanta Nights and PublishAmerica -- comment #68 from julia</title>
         <description>comment from julia on  1.Feb.05</description>
         <content:encoded><p>I know that it's at one of these links, but I can't track it down - aren't the proceeds of the Lulu edition going somewhere helpful as well?</p>
	 <p>Posted February  1, 2005  4:34 PM by julia</p></content:encoded>
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         <pubDate>Tue, 01 Feb 2005 16:34:12 -0500</pubDate>
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         <title>Atlanta Nights and PublishAmerica -- comment #69 from Tracina</title>
         <description>comment from Tracina on  1.Feb.05</description>
         <content:encoded><p>julia: Yes, the SFWA Emergency Medical Fund.</p>
	 <p>Posted February  1, 2005  5:21 PM by Tracina</p></content:encoded>
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         <pubDate>Tue, 01 Feb 2005 17:21:04 -0500</pubDate>
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         <title>Atlanta Nights and PublishAmerica -- comment #70 from Teresa Nielsen Hayden</title>
         <description>comment from Teresa Nielsen Hayden on  1.Feb.05</description>
         <content:encoded><p>Cross-grained high-acid binding? Ouch. Perfect. </p>

<p>If the book becomes a walloping bestseller, we could reissue it with a cover that uses embossing on a human face, then make sure it's embossed slightly off-register. That's guaranteed to look dreadful.</p>
	 <p>Posted February  1, 2005  5:37 PM by Teresa Nielsen Hayden</p></content:encoded>
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         <title>Atlanta Nights and PublishAmerica -- comment #71 from John M. Ford</title>
         <description>comment from John M. Ford on  1.Feb.05</description>
         <content:encoded><p>On the subject of Special Presentation Copies:</p>

<p>There's a famous edition of <i>Fahrenheit 451</i> printed on fire-resistant material and bound in aluminum, the idea being to present it as a fireproof book.  Obviously, what is glacé for the goose is flambé for her significant other:</p>

<p>A flash paper edition would be nearly impossible to ship, and Semtex boards would attract attention from many wrong people.  Water-soluble paper is printable, however.  For the boards, I'd suggest compressed sodium bicarb in a sealant . . . or maybe just plain sodium.  Burning <i>Atlanta</i> indeed.</p>

<p>(And I recall that Bill Gibson published a digitally self-destructing chapbook awhile back; Whitmore doubtless has the details.)</p>
	 <p>Posted February  1, 2005  6:23 PM by John M. Ford</p></content:encoded>
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         <title>Atlanta Nights and PublishAmerica -- comment #72 from Stefan Joness</title>
         <description>comment from Stefan Joness on  1.Feb.05</description>
         <content:encoded><p><a href="http://www.textfiles.com/sf/cyberlit.txt" rel="nofollow">Description</a> of Gibson's self-destructing poem, "Agrippa."</p>

<p><a href="http://transcriptions.english.ucsb.edu/archive/courses/liu/english165HL/materials/gibson-agrippa.html" rel="nofollow">And the text.</a></p>
	 <p>Posted February  1, 2005  6:51 PM by Stefan Joness</p></content:encoded>
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         <pubDate>Tue, 01 Feb 2005 18:51:23 -0500</pubDate>
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         <title>Atlanta Nights and PublishAmerica -- comment #73 from julia</title>
         <description>comment from julia on  1.Feb.05</description>
         <content:encoded><p>Tracina, thank you - I wanted to include that when I linked to the book as a reason to buy it even if you'd already seen the online files, but of course wasn't organized enough to have kept the reference.</p>
	 <p>Posted February  1, 2005  8:52 PM by julia</p></content:encoded>
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         <title>Atlanta Nights and PublishAmerica -- comment #74 from Tom Whitmore</title>
         <description>comment from Tom Whitmore on  1.Feb.05</description>
         <content:encoded><p>That was the Limited Editions Club version of 451, Mike. There was also a small run (200 copies) of the first edition bound in "Johns-Manville Quintera, an asbestos material with exceptional resistance to pyrolysis" -- much scarcer and more valuable. (Trivia question -- what other book had a small limited edition bound in asbestos? It was even a rough asbestos material, much more likely to cause lung cancer [speaking of hostile binding materials!])</p>
	 <p>Posted February  1, 2005  9:49 PM by Tom Whitmore</p></content:encoded>
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         <pubDate>Tue, 01 Feb 2005 21:49:19 -0500</pubDate>
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         <title>Atlanta Nights and PublishAmerica -- comment #75 from John M. Ford</title>
         <description>comment from John M. Ford on  2.Feb.05</description>
         <content:encoded><p><i>It was even a rough asbestos material, much more likely to cause lung cancer [speaking of hostile binding materials!])</i></p>

<p><i>La Dame aux Camellias?</i>  No, wrong disease.</p>
	 <p>Posted February  2, 2005 12:17 AM by John M. Ford</p></content:encoded>
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         <pubDate>Wed, 02 Feb 2005 00:17:20 -0500</pubDate>
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         <title>Atlanta Nights and PublishAmerica -- comment #76 from David Goldfarb</title>
         <description>comment from David Goldfarb on  2.Feb.05</description>
         <content:encoded><p>Tom:  Stephen King's <i>Firestarter</i>?  (Educated guess, possibly backed up by subconscious memory.)</p>
	 <p>Posted February  2, 2005  1:07 AM by David Goldfarb</p></content:encoded>
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         <pubDate>Wed, 02 Feb 2005 01:07:16 -0500</pubDate>
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         <title>Atlanta Nights and PublishAmerica -- comment #77 from Brook</title>
         <description>comment from Brook on  2.Feb.05</description>
         <content:encoded><p>Mary wrote:<br />
> One correction: we were not all SF and fantasy writers.<br />
> At least two minor children of writers, who were not themselves writers, pitched in.</p>

<p>Oh, they're writers. Not published professionally yet, but they are definitely writers.</p>

<p>Brook, chapter 6 (and much of chapter 28 -- Danica's is the part with the leather chair, the cows, and the Dear Jane letter)</p>
	 <p>Posted February  2, 2005  3:44 AM by Brook</p></content:encoded>
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         <title>Atlanta Nights and PublishAmerica -- comment #78 from Tom Whitmore</title>
         <description>comment from Tom Whitmore on  2.Feb.05</description>
         <content:encoded><p>Yes, DavidG, though Mike's answer is much sillier.</p>
	 <p>Posted February  2, 2005  8:17 AM by Tom Whitmore</p></content:encoded>
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         <pubDate>Wed, 02 Feb 2005 08:17:53 -0500</pubDate>
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         <title>Atlanta Nights and PublishAmerica -- comment #79 from abi</title>
         <description>comment from abi on  2.Feb.05</description>
         <content:encoded><blockquote>Cross-grained high-acid binding? Ouch. Perfect.</blockquote>

<p>No, signature-sewn.  (<em>flees</em>)</p>
	 <p>Posted February  2, 2005 12:24 PM by abi</p></content:encoded>
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         <title>Atlanta Nights and PublishAmerica -- comment #80 from Janet Croft</title>
         <description>comment from Janet Croft on  2.Feb.05</description>
         <content:encoded><p>Tom -- Fahrenheit 451 was also printed on asbestos, though I've never seen one and don't know if it was rough or not.</p>
	 <p>Posted February  2, 2005  1:36 PM by Janet Croft</p></content:encoded>
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         <pubDate>Wed, 02 Feb 2005 13:36:12 -0500</pubDate>
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         <title>Atlanta Nights and PublishAmerica -- comment #81 from Tom Whitmore</title>
         <description>comment from Tom Whitmore on  2.Feb.05</description>
         <content:encoded><p>Particulars of the edition, Janet? I've never heard of that one!</p>
	 <p>Posted February  2, 2005  2:33 PM by Tom Whitmore</p></content:encoded>
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         <pubDate>Wed, 02 Feb 2005 14:33:24 -0500</pubDate>
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         <title>Atlanta Nights and PublishAmerica -- comment #82 from Dan Blum</title>
         <description>comment from Dan Blum on  2.Feb.05</description>
         <content:encoded><p><a href="http://www.bookfinder.com/search/?ac=sl&st=sl&qi=0JjHHTEaTGxbkG0ieNSEdCflPQQ_3036735475_2:17:34" rel="nofollow">Here</a> are some bookstores with copies of the asbestos <i>Fahrenheit 451</i> for sale - the listings have some more information.  The lowest asking price is $12,500.</p>
	 <p>Posted February  2, 2005  3:47 PM by Dan Blum</p></content:encoded>
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         <pubDate>Wed, 02 Feb 2005 15:47:35 -0500</pubDate>
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         <title>Atlanta Nights and PublishAmerica -- comment #83 from Tom Whitmore</title>
         <description>comment from Tom Whitmore on  2.Feb.05</description>
         <content:encoded><p>Dan, that expired after an hour. I'm perfectly willing  to believe that current prices on any asbestos _bound_ 451 are at that level. I'm still curious about ones _printed_ on asbestos material.</p>
	 <p>Posted February  2, 2005  8:41 PM by Tom Whitmore</p></content:encoded>
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         <pubDate>Wed, 02 Feb 2005 20:41:05 -0500</pubDate>
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         <title>Atlanta Nights and PublishAmerica -- comment #84 from Dan Blum</title>
         <description>comment from Dan Blum on  2.Feb.05</description>
         <content:encoded><p>Sorry, I missed the distinction.  I can't find any information on an edition printed on asbestos other than offhand comments, so I am a little skeptical.  One comment says that Vanderbilt's rare books collection had a copy, so they might have some information.</p>
	 <p>Posted February  2, 2005  8:58 PM by Dan Blum</p></content:encoded>
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         <title>Atlanta Nights and PublishAmerica -- comment #85 from JackM</title>
         <description>comment from JackM on  2.Feb.05</description>
         <content:encoded><p>I've been sore tempted to use exerpts from Atlanta Nights in my undergrad writing class.  Alas.  I tried them on some shorts from the Bulwer-Lytton Contest site (www.bulwer-lytton.com), and they were unamused.  </p>

<p>They actually tried to defend the creativity and vividness of the following:<br />
<blockquote>&#8220;With listeners leaning over the velvet restraining ropes and angling for pictures, John Glenn urged them to remember Shepard's 1961 Redstone flight in its political context, when the Soviet Union was seducing world opinion with the lingerie of Earth-orbiting technology.&#8221;</blockquote><br />
<i>Billy Cox, "Shepard Statue Honors American Space Cowboys," Florida Today, March 24, 2000.</i></p>

<p>They're clearly not ready for the apogee of badness that is your estimed production.  Again, alas.  <br />
</p>
	 <p>Posted February  2, 2005  9:54 PM by JackM</p></content:encoded>
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         <title>Atlanta Nights and PublishAmerica -- comment #86 from pericat</title>
         <description>comment from pericat on  2.Feb.05</description>
         <content:encoded><p><i>If the book becomes a walloping bestseller, we could reissue it with a cover that uses embossing on a human face, then make sure it's embossed slightly off-register. That's guaranteed to look dreadful.</i></p>

<p>Can you do one of those cut-out things too?</p>

<p>This, um, work is screamingly funny. I do not know who wrote this line, but I'm halfway through and it's still my favourite:</p>

<p><i>Her cheeks were almost as red as her hair already, like red Delicious apples under green leaves which were her eyes and the dark pupils were like little curled up caterpillars in the middle.</i></p>
	 <p>Posted February  2, 2005 10:34 PM by pericat</p></content:encoded>
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         <pubDate>Wed, 02 Feb 2005 22:34:29 -0500</pubDate>
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         <title>Atlanta Nights and PublishAmerica -- comment #87 from Simon Owens</title>
         <description>comment from Simon Owens on  4.Feb.05</description>
         <content:encoded><p>Does anyone know how many copies have sold as of today? I know a few days ago it was standing at 45 copies, I was just wondering if the sales picked up.</p>
	 <p>Posted February  4, 2005 11:56 PM by Simon Owens</p></content:encoded>
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         <pubDate>Fri, 04 Feb 2005 23:56:42 -0500</pubDate>
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         <title>Atlanta Nights and PublishAmerica -- comment #88 from James D. Macdonald</title>
         <description>comment from James D. Macdonald on  5.Feb.05</description>
         <content:encoded><p>As of right now it's sold 103 copies. It's been selling at the rate of about ten a day.</p>
	 <p>Posted February  5, 2005 12:57 AM by James D. Macdonald</p></content:encoded>
         <link>http://nielsenhayden.com/makinglight/archives/006032.html#73881</link>
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         <pubDate>Sat, 05 Feb 2005 00:57:12 -0500</pubDate>
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         <title>Atlanta Nights and PublishAmerica -- comment #89 from Dave Luckett</title>
         <description>comment from Dave Luckett on  5.Feb.05</description>
         <content:encoded><p>You do realise, don't you, that at 103 copies, you're already selling at about PA's average? I don't suppose this is a record - plenty of their authors (aka 'customers') probably buy that many for distribution to hapless friends and relatives - but it may be a record for actual sales to persons unrelated to the author.</p>
	 <p>Posted February  5, 2005  2:03 AM by Dave Luckett</p></content:encoded>
         <link>http://nielsenhayden.com/makinglight/archives/006032.html#73884</link>
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         <pubDate>Sat, 05 Feb 2005 02:03:23 -0500</pubDate>
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         <title>Atlanta Nights and PublishAmerica -- comment #90 from James D. Macdonald</title>
         <description>comment from James D. Macdonald on  5.Feb.05</description>
         <content:encoded><p>PA's average sales (I don't know for sure, but I've calculated this from open sources in several different ways) is 75 copies/title.</p>

<p>We're doing much better (and it's now 107 copies).</p>

<p>Amount spent to publish this book: $0.00</p>

<p>Amount spent to publicize this book: $0.00</p>

<p>The egg on PublishAmerica's face: Priceless</p>
	 <p>Posted February  5, 2005 12:25 PM by James D. Macdonald</p></content:encoded>
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         <pubDate>Sat, 05 Feb 2005 12:25:05 -0500</pubDate>
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         <title>Atlanta Nights and PublishAmerica -- comment #91 from Yvette</title>
         <description>comment from Yvette on  8.Feb.05</description>
         <content:encoded><p>I am new to the writing market, I saw Publish America on an attached link.  I guess by the sound of it, Publish America would not be a good source to consider.  I just found out about poetry.com/International Library Of Poetry after the fact, I spent thousands of dollars and I am so disappointed to say the least.  Has anyone had any dealings with poetry.com? </p>
	 <p>Posted February  8, 2005  8:06 PM by Yvette</p></content:encoded>
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         <pubDate>Tue, 08 Feb 2005 20:06:35 -0500</pubDate>
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         <title>Atlanta Nights and PublishAmerica -- comment #92 from James D. Macdonald</title>
         <description>comment from James D. Macdonald on  8.Feb.05</description>
         <content:encoded><p>There are people who've had dealings with poetry.com, though I don't think you'll find them here.</p>

<p>Poetry.com is notorious.</p>

<p>Their MO is this:  Everyone who writes a poem is a "winner."  For an exorbitant rate, they'll sell you however many copies of the book with your poem in it that you want.</p>

<p>The only print as many as they get preorders for.  Printing the book costs far less than they charge.  Since the book isn't sold anywhere else, not distributed, not in any bookstores, not in any libraries, it's a pretty meaningless thing.</p>

<p>Poetry.com and PublishAmerica have the same business model:  Both make their money by selling overpriced volumes to the authors themselves.</p>
	 <p>Posted February  8, 2005  9:10 PM by James D. Macdonald</p></content:encoded>
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         <pubDate>Tue, 08 Feb 2005 21:10:26 -0500</pubDate>
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         <title>Atlanta Nights and PublishAmerica -- comment #93 from James D. Macdonald</title>
         <description>comment from James D. Macdonald on  9.Feb.05</description>
         <content:encoded><p>Travis Tea now has an official homepage:  <a href="http://sfwa.org/members/TravisTea/" rel="nofollow">http://sfwa.org/members/TravisTea/</a></p>

<p>He's also campaigning for a Hogu.</p>
	 <p>Posted February  9, 2005  5:01 AM by James D. Macdonald</p></content:encoded>
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         <pubDate>Wed, 09 Feb 2005 05:01:16 -0500</pubDate>
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         <title>Atlanta Nights and PublishAmerica -- comment #94 from Ray Radlein</title>
         <description>comment from Ray Radlein on  9.Feb.05</description>
         <content:encoded><p>Oh, how I long for the day when <a href="http://sfwa.org/members/TravisTea/fanfic.htm" rel="nofollow">the fanfic link</a> doesn't return a 404.<br />
</p>
	 <p>Posted February  9, 2005  6:18 AM by Ray Radlein</p></content:encoded>
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         <pubDate>Wed, 09 Feb 2005 06:18:51 -0500</pubDate>
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         <title>Atlanta Nights and PublishAmerica -- comment #95 from Paul</title>
         <description>comment from Paul on  9.Feb.05</description>
         <content:encoded><p><a href="http://nielsenhayden.com/makinglight/archives/006032.html#73383" rel="nofollow">mistri</a>: can I ask how much shipping to the UK cost you...?</p>
	 <p>Posted February  9, 2005  9:38 AM by Paul</p></content:encoded>
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         <pubDate>Wed, 09 Feb 2005 09:38:48 -0500</pubDate>
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         <title>Atlanta Nights and PublishAmerica -- comment #96 from Vera Nazarian</title>
         <description>comment from Vera Nazarian on 11.Feb.05</description>
         <content:encoded><p>Ray Radlein,</p>

<p>The <a href="http://sfwa.org/members/TravisTea/fanfic.htm" rel="nofollow">fanfic link</a> is working fine now. :-)  </p>

<p>And so are all the other <a href="http://www.travistea.com" rel="nofollow">www.travistea.com</a> links.</p>

<p>Go look, enjoy!  Plenty of goodies, and we're almost done with the whole site.<br />
</p>
	 <p>Posted February 11, 2005  2:58 AM by Vera Nazarian</p></content:encoded>
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         <pubDate>Fri, 11 Feb 2005 02:58:50 -0500</pubDate>
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         <title>Atlanta Nights and PublishAmerica -- comment #97 from Jonathan Vos Post</title>
         <description>comment from Jonathan Vos Post on 11.Feb.05</description>
         <content:encoded><p>Also see what Cory Doctorow posted on boingboing.net about the Viennese net.artists Monochrom's hoax:</p>

<p>"...we decided to send Georg Paul Thomann to Brazil. Who is Georg Paul Thomann? He is a fictitious 57-year-old Austrian avant-garde artist. We wrote his complete biography (around one hundred pages) and asked fellow artists, writers and pop theorists to write articles about his life and work, which were published as the catalogue of the exhibition...."</p>
	 <p>Posted February 11, 2005  4:17 AM by Jonathan Vos Post</p></content:encoded>
         <link>http://nielsenhayden.com/makinglight/archives/006032.html#74327</link>
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         <pubDate>Fri, 11 Feb 2005 04:17:42 -0500</pubDate>
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         <title>Atlanta Nights and PublishAmerica -- comment #98 from Beth</title>
         <description>comment from Beth on 11.Feb.05</description>
         <content:encoded><p>OMG! i just read the fanfic page!!!! it rox!!!!!</p>

<p>Tracina: Marry me?</p>
	 <p>Posted February 11, 2005  9:48 AM by Beth</p></content:encoded>
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         <pubDate>Fri, 11 Feb 2005 09:48:47 -0500</pubDate>
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         <title>Atlanta Nights and PublishAmerica -- comment #99 from KaraLynn</title>
         <description>comment from KaraLynn on 17.Feb.05</description>
         <content:encoded><p>"It's the 'omnidirectional task light' bit that got me -- a very pleasing phrase to say over and over again whilst brushing one's hair."</p>

<p>LMAO...that has to be one of the funniest things i have heard in a while...  :P</p>

<p>KL</p>
	 <p>Posted February 17, 2005 10:58 AM by KaraLynn</p></content:encoded>
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         <pubDate>Thu, 17 Feb 2005 10:58:00 -0500</pubDate>
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         <title>Atlanta Nights and PublishAmerica -- comment #100 from OMGosh</title>
         <description>comment from OMGosh on 19.Feb.05</description>
         <content:encoded><p>Thanks much for the heads up on PA. I, being a naive, never-before-published writer was seriously considering them until I typed the name into Google and came upon this site and a multitude of others!</p>

<p>You just averted a disaster and I thank you for it. A writer's dream should never be taken advantage of by people like PA. Then again, there is the age-old adage that "if it looks too good to be true, it probably is". Good advice still, I guess. </p>

<p>Any suggestions on a place to learn more about the publishing world so I don't make a bad choice in publishers???</p>
	 <p>Posted February 19, 2005 12:36 AM by OMGosh</p></content:encoded>
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         <pubDate>Sat, 19 Feb 2005 00:36:52 -0500</pubDate>
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         <title>Atlanta Nights and PublishAmerica -- comment #101 from Julia Jones</title>
         <description>comment from Julia Jones on 19.Feb.05</description>
         <content:encoded><p>OMGosh: some of the threads right here on this website are a good place to start. :-) Start with <a href="http://nielsenhayden.com/makinglight/archives/006006.html" rel="nofollow">Displaced Advice</a> from Jan 13, and read the stuff linked to from the entry at <a href="http://www.neilgaiman.com/journal/2005/01/everything-you-wanted-to-know-about.asp" rel="nofollow"> Neil Gaiman's blog</a>.</p>

<p>Also, <a href="http://www.sfwa.org" rel="nofollow">SFWA</a> has some excellent advice pages. They're aimed at science fiction and fantasy writers, but much of the advice is applicable to all fiction writing.</p>

<p>The <a href="http://www.speculations.com/rumormill/" rel="nofollow">Speculations Rumor Mill</a> is a good place to ask questions, and a search through the archives may turn up information on specific publishers and agents. Ditto <a href="http://www.absolutewrite.com/forums" rel="nofollow">the water cooler at Absolute Write</a>.</p>

<p>There's also <a href="http://www.anotherealm.com/prededitors/" rel="nofollow">Preditors and Editors</a>for background information on a lot of publishers and agents.<br />
</p>
	 <p>Posted February 19, 2005 10:59 AM by Julia Jones</p></content:encoded>
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         <pubDate>Sat, 19 Feb 2005 10:59:08 -0500</pubDate>
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         <title>Atlanta Nights and PublishAmerica -- comment #102 from Tracina</title>
         <description>comment from Tracina on 22.Feb.05</description>
         <content:encoded><p>Beth: *gasp*  Oh, do you mean it?  Do you really <i>mean</i> it?  Because *sniffle*  of <i>course</i> I will!  Yes, yes, I will!  You've made me so happy! *sniffle* *sniffle*</p>

<p>Logistics may be tricky, of course, given that my husband reminded me that we'll need to find a town in the state of Connecticut that has a relaxed attitude towards multiple marriage partners.  But we shall overcome!</p>

<p>*sniffle*  I'm so happy.<br />
</p>
	 <p>Posted February 22, 2005  9:06 AM by Tracina</p></content:encoded>
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         <pubDate>Tue, 22 Feb 2005 09:06:59 -0500</pubDate>
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         <title>Atlanta Nights and PublishAmerica -- comment #103 from Beth</title>
         <description>comment from Beth on 23.Feb.05</description>
         <content:encoded><p>Tracina: Silly duck, of course I mean it. And whilst I agree the marriage laws are a tricky point, the more important matter concerns the zoning regulations. Happily, our property can accommodate your horses. Think of it, my dear -- the horses, the (limited) countryside, the sweet summery days spinning new fanfic tales for Travis Tea...</p>
	 <p>Posted February 23, 2005  5:32 AM by Beth</p></content:encoded>
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         <pubDate>Wed, 23 Feb 2005 05:32:25 -0500</pubDate>
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         <title>Atlanta Nights and PublishAmerica -- comment #104 from greg</title>
         <description>comment from greg on  4.Mar.05</description>
         <content:encoded><p>i was perpexedly unshaven regarding this here stuff what with the bald face lies and all and then laughed with my outh wide open</p>
	 <p>Posted March  4, 2005  7:16 AM by greg</p></content:encoded>
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         <pubDate>Fri, 04 Mar 2005 07:16:56 -0500</pubDate>
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         <title>Atlanta Nights and PublishAmerica -- comment #105 from Tracina</title>
         <description>comment from Tracina on  4.Mar.05</description>
         <content:encoded><p>Beth:</p>

<p>...turning the perfectly enormous manure pile and dreaming of Travis...</p>
	 <p>Posted March  4, 2005  7:50 AM by Tracina</p></content:encoded>
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         <pubDate>Fri, 04 Mar 2005 07:50:15 -0500</pubDate>
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         <title>Atlanta Nights and PublishAmerica -- comment #106 from joooodith</title>
         <description>comment from joooodith on  7.Mar.05</description>
         <content:encoded><p>i have gotten to chap 23 and very much appreciate your literary efforts but will not be able to continue reading until i stock up on some Detrol and Depends.</p>

<p>there's no author listed for 12b.  I would very much appreciate being informed as to who wrote it because i found it quite exceptional in a book in which it goes without saying in which every chapter has its own very extremely exception quality.</p>
	 <p>Posted March  7, 2005 10:21 PM by joooodith</p></content:encoded>
         <link>http://nielsenhayden.com/makinglight/archives/006032.html#76285</link>
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         <pubDate>Mon, 07 Mar 2005 22:21:44 -0500</pubDate>
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         <title>Atlanta Nights and PublishAmerica -- comment #107 from Alan Yee</title>
         <description>comment from Alan Yee on 12.Mar.05</description>
         <content:encoded><p>I must be among one of those more fortunate and intelligent writers. I'm only 13, but I've studied and researched extensively on the publishing industry, the markets, the craft, etc., for quite some time now.  </p>

<p>Even I, barely even a teenager, could easily call PublishAmerica a downright sinister vanity publisher from just a look at their website.  I am just appalled that thousands of aspiring authors twice or more times my age can fall for such trash, and without researching the markets, industry, and craft.</p>

<p>Though many of you will probably outright say that I must not know anything about the business of writing, I personally believe that I am well on my way and that I have a significant amount of knowledge in the field.  But to get back on track, -Atlanta Nights- is a classic!  That alone proves PA's phoniness, and my-oh-my it was such a painful read; I couldn't get past the first chapter to experience all the other inconsistencies, like the frequently-mentioned gender-changing instances supposedly present in the book.</p>

<p>How could these PA writers be so gullible and stupid?!  Now that they're becoming more notorious, I'd just love to email PA with a lovely little computer virus to their damned computers! Would serve -them- right! </p>

<p>I know, I don't fit in as well with people my own age.  Though I -am- interested in popular culture and contemporary culture, everyone else my age spends their spare time playing video games.  So I ended up being the stray, odd-interests teenager who talks to people twice, thrice, quadrupled, etc. my age.  I hang out in  the Critters critique group, SF/F/H/writer/editor messageboards, writing craft webpages, and market guidelines webpages.  And all I think about is writing and SF (there's other things too, but... you know?).</p>

<p>Sorry for the sudden ramble.  The writing world is just where I have people with similar interests that I can talk to and get to know.</p>

<p>Sincerely, <br />
Alan</p>
	 <p>Posted March 12, 2005 11:22 PM by Alan Yee</p></content:encoded>
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         <pubDate>Sat, 12 Mar 2005 23:22:11 -0500</pubDate>
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         <title>Atlanta Nights and PublishAmerica -- comment #108 from Madeline Kelly</title>
         <description>comment from Madeline Kelly on 14.Mar.05</description>
         <content:encoded><p>Alan Yee said:  <i>Even I, barely even a teenager, could easily call PublishAmerica a downright sinister vanity publisher from just a look at their website. I am just appalled that thousands of aspiring authors twice or more times my age can fall for such trash, and without researching the markets, industry, and craft.</i></p>

<p>The thing you have to bear in mind is that up until very recently it was almost impossible to find anything negative about PublishAmerica on the internet.  The writers who are currently with PA would have signed their contracts months ago, when there was very little (if any) bad publicity about the company.  Don't be too hard on them.</p>

<p>Of course, people really have no excuse now not to know how awful PA is -- but you have to bear in mind that not everyone is as comfortable with using the internet for research as you might be.  I can imagine that my mother, for example, would never think of googling on "PublishAmerica" before signing up with them.</p>

<p>The good work being done by our esteemed hostess and others is the main reason that you can now easily find the truth about PA on-line.</p>
	 <p>Posted March 14, 2005  5:02 AM by Madeline Kelly</p></content:encoded>
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         <pubDate>Mon, 14 Mar 2005 05:02:22 -0500</pubDate>
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         <title>Atlanta Nights and PublishAmerica -- comment #109 from Bll Rmsfld</title>
         <description>comment from Bll Rmsfld on 14.Mar.05</description>
         <content:encoded><p>Hrrd, pr stb t ny cmprhnsbl wrtng. wldn't rcmmnd ths bk t nyn. t s shm tht wrtng hs cm t ths typ f trsh.</p>
	 <p>Posted March 14, 2005  9:07 PM by Bll Rmsfld</p></content:encoded>
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         <pubDate>Mon, 14 Mar 2005 21:07:57 -0500</pubDate>
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         <title>Atlanta Nights and PublishAmerica -- comment #110 from Teresa Nielsen Hayden</title>
         <description>comment from Teresa Nielsen Hayden on 14.Mar.05</description>
         <content:encoded><p>Hey, look at that. See the nasty drive-by? Someone's started a thread about <i>Atlanta Nights</i> on the PublishAmerica message board. We'll probably see more like this before it's over.</p>
	 <p>Posted March 14, 2005 11:29 PM by Teresa Nielsen Hayden</p></content:encoded>
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         <pubDate>Mon, 14 Mar 2005 23:29:17 -0500</pubDate>
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         <title>Atlanta Nights and PublishAmerica -- comment #111 from James D. Macdonald</title>
         <description>comment from James D. Macdonald on 14.Mar.05</description>
         <content:encoded><p>Gullible?  Yes, I suppose so, but the common writer's feeling is "I love my book."  When someone comes along and says "I, too, love your book," the instant response is "Joy!  This fellow is a capital fellow;  discerning and honest!"</p>

<p>Stupid?  No.  Remember the people who put together PublishAmerica are good at what they do, and what they do is play on people's dreams.  They use half-truths, weasel-words, and outright lies to create an impression.  Even folks who otherwise are fairly canny can be taken in, especially if they don't know much about publishing to start with.  Tell someone what they want to hear, and they'll believe you.</p>

<p>Take a dose of wishful thinking, add a drop of ego-stroke, and you have a recipe for sucking in folks who, in any other area, are pretty darned shrewd.</p>

<p>===============<br />
<i>Horrid,A poor stab at any comprehensible writing. I wouldn't recommend this book to anyone. It is a shame that writing has come to this type of trash.</i></p>

<p>I entirely agree.  <i>Atlanta Nights</i> sucks with a loud sucking sound.  It sucks so hard that it removes all the air from small rooms.   Why in the world would any reasonable, responsible publishing company offer a contract to that piece of borderline-illiterate garbage?</p>
	 <p>Posted March 14, 2005 11:35 PM by James D. Macdonald</p></content:encoded>
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         <pubDate>Mon, 14 Mar 2005 23:35:11 -0500</pubDate>
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         <title>Atlanta Nights and PublishAmerica -- comment #112 from Lenora Rose</title>
         <description>comment from Lenora Rose on 14.Mar.05</description>
         <content:encoded><p>Alan:</p>

<p>You write amazingly well for a thirteen year old.</p>

<p>I've been researching the market for novels for years before I was ready to send out any queries. So i sometimes fall into the trap of thinking, "Why the hell do people believe this stuff?"</p>

<p>What I have to remind myself is that many writers finish a story and grab their copy of Writer's Market. Market books like that make them think the research has already been done for them, that they can trust what's in the book absolutely.</p>

<p>They don't actually look into how publishing works, or why. If they join a writing community, it's mostly for the social aspects, and it's only later they start to notice there's more to the business side of publishing than they realised. This is why you get naive seeming questions like "Why Courier?" or "Why can't we submit by e-mail?" not just from newbies, but from people who are quite proficient at the prose side of writing.</p>

<p>That msot writing classes and critique groups focus on the prose and not the business probably doesn't help.</p>

<p>Someone on another forum suggested another good reason; we're taught that you can't get something for nothing. So when they're told they should pay a publisher up front, or have to pay their own copyright, or have to do all their own promotion, they think it makes sense. It doesn't sound like a scam unless you've looked into how publishing works.</p>

<p>It doesn't occur to them that they already paid their share by the effort of writing a novel-length manuscript. It doesn't feel like work, at least not the 'paying your dues' kind of work.</p>

<p>Nor do they register that the "publisher" is now, in their turn, trying to get something for nothing by not doing editing or promotion, or paying for the copyright.</p>
	 <p>Posted March 14, 2005 11:36 PM by Lenora Rose</p></content:encoded>
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         <pubDate>Mon, 14 Mar 2005 23:36:43 -0500</pubDate>
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         <title>Atlanta Nights and PublishAmerica -- comment #113 from Alan Yee</title>
         <description>comment from Alan Yee on 15.Mar.05</description>
         <content:encoded><p>Sorry, I didn't mean to sound so cruel.  I guess I didn't think long enough before posting. "Stupid" was too harsh of a word... </p>

<p>Anyway, now that I can see it from a more sympathetic POV, I feel bad for the PA authors who just innocently wanted to fulfill their dreams.  I always feel so bad for people who are misled and taken advantage of.</p>

<p>I still have to agree that Atlanta Nights is a classic though ;)</p>
	 <p>Posted March 15, 2005  1:01 AM by Alan Yee</p></content:encoded>
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         <pubDate>Tue, 15 Mar 2005 01:01:39 -0500</pubDate>
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         <title>Atlanta Nights and PublishAmerica -- comment #114 from Teresa Nielsen Hayden</title>
         <description>comment from Teresa Nielsen Hayden on 15.Mar.05</description>
         <content:encoded><p>That was generously said, Alan.</p>
	 <p>Posted March 15, 2005  6:15 AM by Teresa Nielsen Hayden</p></content:encoded>
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         <pubDate>Tue, 15 Mar 2005 06:15:22 -0500</pubDate>
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         <title>Atlanta Nights and PublishAmerica -- comment #115 from Xopher</title>
         <description>comment from Xopher on 15.Mar.05</description>
         <content:encoded><p>Yeah, I wouldn't have been that generous - about ANYTHING - when I was that age.  Nor would any of my agemates.  </p>

<p>Alan, you've astonished us all.  Keep writing!</p>
	 <p>Posted March 15, 2005 10:32 AM by Xopher</p></content:encoded>
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         <pubDate>Tue, 15 Mar 2005 10:32:12 -0500</pubDate>
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         <title>Atlanta Nights and PublishAmerica -- comment #116 from Mary Dell</title>
         <description>comment from Mary Dell on 15.Mar.05</description>
         <content:encoded><p>Hey, you probably all know this already, but this month's Locus magazine has a little article about PA and Atlanta Nights.</p>
	 <p>Posted March 15, 2005  3:55 PM by Mary Dell</p></content:encoded>
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         <pubDate>Tue, 15 Mar 2005 15:55:47 -0500</pubDate>
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         <title>Atlanta Nights and PublishAmerica -- comment #117 from Alan Yee</title>
         <description>comment from Alan Yee on 17.Mar.05</description>
         <content:encoded><p>>That was generously said, Alan.<br />
>Alan, you've astonished us all. Keep writing!</p>

<p>Yeah, I'm not one of those stereotypical-teens who don't care about anything and have no sense of morals or feelings.  "Fitting in" used to be almost impossible for me, but now I at least fit in halfway...  As for the mix of reading, writing, SF/F, and popular music/movies, I truly think it makes people more sociable and accepting me now.  Now if only I could create the right mix of all that...</p>

<p>School has interfered with my train of thought on writing.  I know that school is necessary and crucial, so hopefully after college, I can get a job that's roughly connected to books and writing.  It _would_ be cool to have a job as a paid slush reader; or maybe not, since I do know Carina Gonzalez of RoF reads slush for free. Even if it was unpaid, I would still live with it if I had the opportunity for the position (though being paid to be involved in SF/F would be nice too...). </p>

<p>More realistically, however, I just MIGHT be a noticed and accepted member of the SF/F writer circles... though I might not get rich or sell enough to write full-time.  Of course I have higher-up dreams, but my first goal is to have any old SpecFic reader, writer, or editor to be able to say, "Hey, that's Alan Yee..."</p>

<p>I hope everyone reading this realizes what kind of a kid I really am.  My bookshelves are literally crammed with everything imaginable. In fact, right by my computer or readily accessible in my room are the following books/collections (read at your own risk, because a 13-year-old reading all these may be shocking to some): Anne Rice, Anne McCaffrey, Dune, Tolkien, Realms of Fantasy (April '05 issue), the first 4 F&SF issues of '05, Cemetery Dance #50, Feb-Apr '05 issues of Writer's Digest, the 2 most recent Writers of the Future anthologies, Writing Science Fiction & Fantasy (by Gardner Dozois, Stanley Schmidt, and Sheila Williams), Strunk & White's The Elements of Style, and the 2 most recent volumes of The Year's Best Fantasy & Horror. </p>

<p>Sorry if this shocks some of you.  This is isn't "normal" for kids.  But then again, what is "normal" in a world of crazy psychos and crazy "dictators of normalities"? </p>

<p>Another precaution: as you probably have noticed, I tend to ramble and keep talking until all my thoughts and insights are revealed (hence another long post by Alan Yee).</p>
	 <p>Posted March 17, 2005  7:42 PM by Alan Yee</p></content:encoded>
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         <pubDate>Thu, 17 Mar 2005 19:42:59 -0500</pubDate>
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         <title>Atlanta Nights and PublishAmerica -- comment #118 from Jonathan Vos Post</title>
         <description>comment from Jonathan Vos Post on 17.Mar.05</description>
         <content:encoded><p>Alan Yee:</p>

<p>Don't stop. People have been telling me all my life that I "tend to ramble and keep talking..."</p>

<p>Eventually, they started buying what I submitted, paying me to give keynote speeches, and allowing me to teach several thousand people in classrooms.</p>

<p>I am still, after the age of 50, learning how to maintain the balance between saying what I want and not saying more than an audience wants to hear.</p>

<p>My first professional sale was a crossword puzzle for a Science Fiction Book club ad, which paid about $200, when I was 12.  The Science Fiction and Fantasy community has people who started selling younger than that.</p>

<p>The sky is not the limit.</p>

<p>Don't stop.</p>
	 <p>Posted March 17, 2005 10:17 PM by Jonathan Vos Post</p></content:encoded>
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         <title>Atlanta Nights and PublishAmerica -- comment #119 from Janet Croft</title>
         <description>comment from Janet Croft on 18.Mar.05</description>
         <content:encoded><p>Alan, if you think school interferes with your writing, you might give some thought to home schooling.  If you are as responsible and self-motivated as you sound, and if your family can afford it, there are decent distance-ed programs out there that lead to a high school diploma -- without the lockstep social indoctrination programs of your typical public school.  Check out the University of Oklahoma Independent Learning High School at http://ouilhs.ou.edu/; that's where my daughter's taking her classes. There are lots of otheres out there, too.</p>
	 <p>Posted March 18, 2005 10:01 AM by Janet Croft</p></content:encoded>
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         <pubDate>Fri, 18 Mar 2005 10:01:35 -0500</pubDate>
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         <title>Atlanta Nights and PublishAmerica -- comment #120 from Xopher (Christopher Hatton)</title>
         <description>comment from Xopher (Christopher Hatton) on 18.Mar.05</description>
         <content:encoded><p><i>I hope everyone reading this realizes what kind of a kid I really am. My bookshelves are literally crammed with everything imaginable. In fact, right by my computer or readily accessible in my room are the following books/collections (read at your own risk, because a 13-year-old reading all these may be shocking to some): Anne Rice, Anne McCaffrey, Dune, Tolkien, Realms of Fantasy (April '05 issue), the first 4 F&SF issues of '05, Cemetery Dance #50, Feb-Apr '05 issues of Writer's Digest, the 2 most recent Writers of the Future anthologies, Writing Science Fiction & Fantasy (by Gardner Dozois, Stanley Schmidt, and Sheila Williams), Strunk & White's The Elements of Style, and the 2 most recent volumes of The Year's Best Fantasy & Horror. </i></p>

<p>In other words, you're a fan.  You should have seen my collection of stuff when I was 13.  SF was "kid stuff," you see, so the explicit sex scenes in some of it got right past my parents...not that they would have censored anyway; my <i>mother</i> bought me <i>Dhalgren</i> when I was 17.</p>

<p>And if you think that's a long post...well.  There are certain others here who.  Well.  I think I'll stop now.</p>
	 <p>Posted March 18, 2005 12:55 PM by Xopher (Christopher Hatton)</p></content:encoded>
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         <pubDate>Fri, 18 Mar 2005 12:55:17 -0500</pubDate>
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         <title>Atlanta Nights and PublishAmerica -- comment #121 from Lucy Kemnitzer</title>
         <description>comment from Lucy Kemnitzer on 18.Mar.05</description>
         <content:encoded><p>Alan, what you need to know is that your reading list and your concerns <i>are</i> normal for 13 year olds.  I had a similar reading list at 13: so did the nice fellow I married, and both our brothers, and our children, and their friends.  There is a whole world of people out there who are just similar enough to share with and different enough to be interesting. A friend of my mother's told me that someday I'd turn a corner and there'd be someone who understood all my references and could top them all, and it did happen, in 10th grade.</p>

<p><br />
Are you in middle school or high school at this moment (at your age it could be either, depending on how your district allocates the grades, when your birthday is, etc.)? If you're not in high school yet, know that it usually gets better (depending, again, on the community, the combination of your personality and those of others, etc). There are more people to choose from, and more of them will have caught up with your interests.  </p>

<p></p>

<p>It's good to have ambitions too.  I lost a lot of time by thinking that I shouldn't be ambitious.  (and by a lot of time, I mean <i>a lot</i> of time)You've got good command of writing conventions, you're articulate, and you're steeped in the genre traditions.  That's an excellent foundation: the rest you get by writing.  And sending.  Don't bother telling them you're thirteen until they've accepted the story and asked for a short biographical note.</p>

<p><br />
</p>
	 <p>Posted March 18, 2005  4:40 PM by Lucy Kemnitzer</p></content:encoded>
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         <pubDate>Fri, 18 Mar 2005 16:40:27 -0500</pubDate>
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         <title>Atlanta Nights and PublishAmerica -- comment #122 from Stephanie</title>
         <description>comment from Stephanie on 18.Mar.05</description>
         <content:encoded><p>What Lucy said. And college is infinitely better; you just have to hang on that long. </p>

<p>As for getting noticed in SF/F writer circles... you just did.</p>
	 <p>Posted March 18, 2005  5:38 PM by Stephanie</p></content:encoded>
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         <title>Atlanta Nights and PublishAmerica -- comment #123 from John M. Ford</title>
         <description>comment from John M. Ford on 18.Mar.05</description>
         <content:encoded><p><i>As for getting noticed in SF/F writer circles... you just did.</i></p>

<p>At the severe risk of being seen as playing the Bad Cop, which is not my intention, there's a difference between "getting noticed" in the social sense and having one's <i>writing</i> noticed.  The first is valuable in a great many ways, but it's not the end or even a significant means to the end.  In fact, the exceptional ease of getting social access in f/sf means that it isn't, of itself, all that significant.  I'd never met the editors I made my first story and novel sales to, though we became well acquainted later.  Contrary to what one might expect, some of those editors kept buying my stuff anyway.</p>

<p>And after all that, I hope you'll take it as constructive commentary to note that "literally" isn't an intensifier; your shelves couldn't be <i>figuratively</i> crammed with anything. </p>
	 <p>Posted March 18, 2005  7:19 PM by John M. Ford</p></content:encoded>
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         <pubDate>Fri, 18 Mar 2005 19:19:25 -0500</pubDate>
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         <title>Atlanta Nights and PublishAmerica -- comment #124 from James D. Macdonald</title>
         <description>comment from James D. Macdonald on 18.Mar.05</description>
         <content:encoded><p>My shelves are figuratively crammed with Truth and Beauty.</p>
	 <p>Posted March 18, 2005  7:35 PM by James D. Macdonald</p></content:encoded>
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         <pubDate>Fri, 18 Mar 2005 19:35:53 -0500</pubDate>
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         <title>Atlanta Nights and PublishAmerica -- comment #125 from TexAnne</title>
         <description>comment from TexAnne on 18.Mar.05</description>
         <content:encoded><p>Alan, I'll see your bookshelf and raise you all of Heinlein's Dirty Old Man books, plus Narnia, Zenna Henderson, and Witch World. (God bless Andre Norton.) I'll also second the idea that the older you get, the better life is--except for grad school, which is always unpleasant no matter what your field is or how smart you are. Our Hostess has written before of "the tribe," i.e. fandom, and she's absolutely right. Go to cons as often as you can, and soak up the feeling of being among your own people.</p>
	 <p>Posted March 18, 2005  7:53 PM by TexAnne</p></content:encoded>
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         <title>Atlanta Nights and PublishAmerica -- comment #126 from Alex Cohen</title>
         <description>comment from Alex Cohen on 18.Mar.05</description>
         <content:encoded><p>Alan,</p>

<p>One more word of advice.  I submitted my first science fiction at sixteen, to the Magazine of Fantasy & Science Fiction.  As anyone but me could have told you would happen, it was rejected six weeks later with a form letter.</p>

<p>It took me eighteen years to get around to submitting another (yeah, it was rejected, too).  I don't think the time was particularly wasted as such; I learned a lot in and out of school.</p>

<p>But how I wish I had kept writing all that time.</p>
	 <p>Posted March 18, 2005  8:07 PM by Alex Cohen</p></content:encoded>
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         <title>Atlanta Nights and PublishAmerica -- comment #127 from Alex Cohen</title>
         <description>comment from Alex Cohen on 18.Mar.05</description>
         <content:encoded><p>Okay, two words.  If you really want to get a writing-related day job, that's great, but you can be a writer no matter what job you have.  In fact, my experience is that the more like writing science fiction my day job is, the harder it is for me to actually write it when I'm home.</p>

<p>I spent four years doing technology forecasts.  It was a cool job and paid well, but I couldn't stand the idea of writing near-future science fiction.  It was too much like work.</p>
	 <p>Posted March 18, 2005  8:11 PM by Alex Cohen</p></content:encoded>
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         <title>Atlanta Nights and PublishAmerica -- comment #128 from Stefan Jones</title>
         <description>comment from Stefan Jones on 18.Mar.05</description>
         <content:encoded><p>" . . . because a 13-year-old reading all these may be shocking to some . . ."</p>

<p><i>Gibba-gobba, gibba-gobba, one of us, one of us . . .</i></p>

<p>Suggestion:</p>

<p>There's a great line of annual non-fiction anthologies out there, "The Best American Series." <i>Best American Essays 2004</i>, <i>Best American Science and Nature Writing of 2002</i> and so on.</p>

<p>Each edition is edited by an expert in the field. Richard Dawkins, Oliver Sacks, and Edward O. Wilson taken turns editing the Science series. (If you don't know those names, this is your chance to find out!)</p>

<p>Look them up, read them. They'll expose you to an amazing variety of thought, writing styles, and knowledge.</p>
	 <p>Posted March 18, 2005  8:25 PM by Stefan Jones</p></content:encoded>
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         <title>Atlanta Nights and PublishAmerica -- comment #129 from Andy Perrin</title>
         <description>comment from Andy Perrin on 18.Mar.05</description>
         <content:encoded><p><i>except for grad school, which is always unpleasant no matter what your field is</i></p>

<p>Aw, grad school's not that bad (saith this 3rd year grad student). You can finally spend time working on real-life problems instead of exercises. You get to learn your favorite subject rather than skim it at high speed, which is what happens in college. I will note that your enjoyment depends heavily on your advisor and your relationship with same. Also, some people are not temperamentally suited to the <i>kinds</i> of bullsh*t found in academia. (This doesn't mean they aren't smart; it means they should be doing something else.)</p>
	 <p>Posted March 18, 2005  8:41 PM by Andy Perrin</p></content:encoded>
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         <title>Atlanta Nights and PublishAmerica -- comment #130 from Vicki</title>
         <description>comment from Vicki on 18.Mar.05</description>
         <content:encoded><p>I got a postcard from Albacon (the New York one, not the Scottish one) a couple of days ago. They are advertising, as a special guest, Travis Tea.</p>

<p>So, how many of you have accepted that invitation? Are any all-Travis Tea panels planned?</p>
	 <p>Posted March 18, 2005  8:49 PM by Vicki</p></content:encoded>
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         <title>Atlanta Nights and PublishAmerica -- comment #131 from Anarch</title>
         <description>comment from Anarch on 19.Mar.05</description>
         <content:encoded><p><i>Aw, grad school's not that bad (saith this 3rd year grad student).</i></p>

<p>It could be worse, saith this 5th year; I can't think of any other "profession" so carefully designed to destroy your mental and emotional self-image but I suppose it has its own rewards.  [Depends on what kinds of research you're doing, how you're funded, what your teaching load is, and so forth.]  That said, I agree with your subsequent remarks.</p>
	 <p>Posted March 19, 2005  3:59 AM by Anarch</p></content:encoded>
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         <pubDate>Sat, 19 Mar 2005 03:59:59 -0500</pubDate>
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         <title>Atlanta Nights and PublishAmerica -- comment #132 from TexAnne</title>
         <description>comment from TexAnne on 19.Mar.05</description>
         <content:encoded><p><i>I can't think of any other "profession" so carefully designed to destroy your mental and emotional self-image but I suppose it has its own rewards. </i></p>

<p>There, that's what I meant. I'm glad I went, but I'm even gladder I don't have to go back. I learned vast amounts of cool and interesting stuff...but the experience itself wasn't much fun. What does it tell you that of the three of us, only one is flat-out enthused, and even he has a caveat? </p>
	 <p>Posted March 19, 2005  9:16 AM by TexAnne</p></content:encoded>
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         <pubDate>Sat, 19 Mar 2005 09:16:31 -0500</pubDate>
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         <title>Atlanta Nights and PublishAmerica -- comment #133 from CHip</title>
         <description>comment from CHip on 19.Mar.05</description>
         <content:encoded><p><i>And after all that, I hope you'll take it as constructive commentary to note that "literally" isn't an intensifier; your shelves couldn't be </i>figuratively<i> crammed with anything.</i> </p>

<p>As a general rule, yes, "literally" is much overused as an intensifier. However, wrt books I can think of many people who would use "crammed" as meaning "having more than zero"; not to point any fingers at contemporaries, I offer the English nobleman in <i>Saint Joan</i>. ("But nowadays, instead of looking at books, people read them!"</p>
	 <p>Posted March 19, 2005 11:29 AM by CHip</p></content:encoded>
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         <pubDate>Sat, 19 Mar 2005 11:29:17 -0500</pubDate>
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         <title>Atlanta Nights and PublishAmerica -- comment #134 from Jonathan Vos Post</title>
         <description>comment from Jonathan Vos Post on 19.Mar.05</description>
         <content:encoded><p>Grad School: a form of slavery that people recall with nostalgia.</p>
	 <p>Posted March 19, 2005 12:02 PM by Jonathan Vos Post</p></content:encoded>
         <link>http://nielsenhayden.com/makinglight/archives/006032.html#77215</link>
         <guid isPermaLink="true">http://nielsenhayden.com/makinglight/archives/006032.html#77215</guid>
         <pubDate>Sat, 19 Mar 2005 12:02:49 -0500</pubDate>
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                  <item>
         <title>Atlanta Nights and PublishAmerica -- comment #135 from Andy Perrin</title>
         <description>comment from Andy Perrin on 19.Mar.05</description>
         <content:encoded><p><i>It could 