Of all the unmentioned topics you mentioned, I am most curious about this one:
"The unexpected emergence of the multi-author project."
(That's if you're taking requests.)
I was working at Harper Collins when they slashed away at their midlist. (1996 or so.) I remember that being trumpeted in much the same way, as the end of the world for the "writing middle class".
They even had a big "semi-miss" blockbuster at Harper Collins during that period: the Patrick Robinson book "USS Seawolf". I think the book did awfully well, actually, but Harper Collins wanted Robinson to be the next Tom Clancy, and I don't think it did THAT well.
JADP.
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